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Karrye F. Braxton...

Author: NO WRITER ATTRIBUTED | Title: CANDIDATES FOR 1982 CLASS MARSHAL | 11/3/1981 | See Source »

...jazzmen are able to get by consistently on their musical earnings. During lean years, Sam Rivers set lyrics to music for a mail-order house; Anthony Braxton used to hustle chess in Washington Square. A few fortunate musicians have found niches in education-- Ran Blake and Ken McIntyre head departments at the New England Conservatory and at SUNY Old Westbury. Alternative education centers offer a tenuous existence to some, like Karl Berger's Creative Music Studio in Woodstock and River's Soho performance loft, both of which depend on a precarious assortment of grants and private donations for support. Life...

Author: By Paul Davison, | Title: Blow! | 4/15/1980 | See Source »

Jenkins' music is strongly influenced by the innovations of the Association for the Advancement of Creative Musicians (AACM), a Chicago-based musician's collective of which he has been a member since 1965. The best-known exponents of AACM art are Anthony Braxton and the members of the Art Ensemble of Chicago. The music on Space Minds, New Worlds, Survival of America has more to do with the sophisticated conceptual experiments of Braxton than with the visceral, intuitive, and often theatrical approach of the Art Ensemble...

Author: By Paul Davison, | Title: Fiddler off the Roof | 11/21/1979 | See Source »

Teitelbaum, who has performed with Anthony Braxton as well as with his own electronic group, Musica Elettronica Viva, contributes lean, sensitive synthesizer work that is quite compatible with the suite's carefully structured textures and its theme of relentless exploration and discovery. Jenkins likes the futuristic associations of his oblique song title, and also "the poetic aspect, the way it can be said. 'Space Minds, New Worlds Survival of America.' It has a certain rhythm...

Author: By Paul Davison, | Title: Fiddler off the Roof | 11/21/1979 | See Source »

...Manhattan, Woodstock is home for a stable of musicians that includes Berger and Jack DeJohnette, and the town has been a rest/retreat spot for scores of others. It shouldn't be too long before the influence of the CMS workshops, which have been led by, among many others, Anthony Braxton and the members of the Art Ensemble of Chicago, starts to make itself felt in the music world at large...

Author: By Paul Davison, | Title: Mingus at Eight | 4/19/1979 | See Source »

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