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Word: brazilian (lookup in dictionary) (lookup stats)
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...free the press should be, nine cartoonists and editors of the satirical weekly O Pas-quim ("The Rag"), have all been in prison for over a month. Uncharged. The tabloid has gone on publishing, blandly stating on its front page that it has been "completely automated." Last week Brazilian police tired of the joke, suspended "The Rag," then lifted the ban without explanation. The staffers remain in jail; "The Rag" remains "automated...

Author: /time Magazine | Title: The Press: Censorship, North and South | 1/4/1971 | See Source »

...followed precisely the same route he always took for the 15-minute trip downtown to the Swiss embassy. As his big Buick cruised down a busy street, half-a-dozen gunmen in two cars forced it to a screeching halt. They mortally wounded Bucher's Brazilian bodyguard when he appeared to be reaching for a pistol, then pushed the ambassador into a waiting car and roared off. The last thing the chauffeur heard Bucher say was, "It is not possible that this is happening...

Author: /time Magazine | Title: Brazil: Raising the Ransom Price | 12/21/1970 | See Source »

...break the guerrillas, who have been bombing barracks, robbing banks and snatching diplomats for the last two years. Still, the mayhem goes on. Kidnapers have seized the U.S. ambassador, the Japanese consul-general in Sao Paulo and the West German ambassador, ransoming them for the release from Brazilian jails of 60 assorted criminals and opponents of the regime...

Author: /time Magazine | Title: Brazil: Raising the Ransom Price | 12/21/1970 | See Source »

...this film, which is a true breakthrough for cinema, I probably should begin by saying that it is filled with the savage folk poetry of the Brazilian northland (cousin to the American Wild West), it is colorful and violent, it deals in myths of recent times which are inherently Christian and Marxist. What I saw, however, was the first dialectical cinema in film history...

Author: By Mike Prokosch, | Title: The Sophist Antonio das Mortes at Lowell House, 8 and 10 tonight | 12/4/1970 | See Source »

Glauber Rocha, the Brazilian director of Antonio das Mortes, appears in Wind from the East as a figure pointing in two directions at the Crossroads of Cinema. A pregnant woman carrying a camera approaches him and asks the way. Down one road, he says, is the militant cinema; down the other the cinema of adventure, of spectacle. Godard maintains that there are two films to be made: another of the type "Nixon-Paramount" has been ordering for fifty years-a Western, an adventure film, any film that clings to the idea of realistic representation; or a militant film, a film...

Author: By Joel Haycock, | Title: Godard Wind From The East at Emerson 105, Saturday and Sunday | 11/7/1970 | See Source »

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