Word: brazilians
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Dates: during 1990-1999
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...investors, who headed for the exits. That set off a rapid spiral of defaults that became known as the Asian Contagion. Thailand's problems quickly became Indonesia's, then Korea's, in a dangerous daisy chain that is still looping together--witness last month's shuddering devaluation of the Brazilian real...
Sitting in his office in Los Angeles, Nash, 51, and his three producers, including his daughter Robyn, 30, view extraordinarily violent and vulgar tapes. (Against all odds, shockumentaries can bring families together.) In one particularly gripping tape, a Brazilian crowd flees a fireworks display gone haywire. "That's amazing," Nash says. "Do we know if anyone got hurt?" NBC, like Fox, the network Nash usually works with, is squeamish about showing major injuries. The Brazilian scene is accepted, not only because it passes the no-maiming criterion but also because it--as Nash explains it--"tells a story." A tape...
...from Third World sources, one can get the queasy feeling that somewhere an indigenous artist is producing better, more authentic music that will never be widely heard. In this compilation, rocker David Byrne plays it cool, stands back and simply presents the original work of some of his favorite Brazilian artists. The album draws on samba as well as psychedelic rock and '90s clubland rhythms. It's all a lot of fun, though one wishes it could, at times, be a little less lighthearted. Listeners searching for more depth should check out last year's Nova Bossa...
...terminal, Dora, a sour old woman (uncompromisingly played by Fernanda Montenegro), scratches out a living writing letters for the illiterate. When a customer is killed in an accident, the dead woman's son (the winsomely suspicious Vinicius de Oliveira) becomes Dora's responsibility. The two set out across the Brazilian vastness to find the boy's errant father. Theirs is an odyssey of simple problems, simple emotional discoveries, a relationship full of knots that Salles permits to unwind in an unforced, unsentimental fashion. His imagery, like his storytelling, is clear, often unaffectedly lovely, and quietly, powerfully haunting...
Minyard, who also choreographed for the ballet company, exhibited her flexibility as a choreographer with a beautiful rendition of the Brazilian piece "Magalenha" that was as different from "In the Jazz Club" as it was exciting, and the high-energy choreography of Fabiana Kepler '00 for Ricky Martin's "Maria" drew her dancers' into the highest enthusiasm...