Word: breads
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...music comment on society? To the extent that electronic sounds suggest the dissonances in everyday life? Perhaps. But, as Italian-born Composer Luciano Beno says, music "cannot lower the cost of bread. It is incapable of stopping wars, it cannot eradicate slums and injustice." Granting that much, Beno, a leading innovator of musical forms, refuses to accept the conventional barriers. He is appalled that composers today seem to regard music as an isolated phenomenon, created in a vacuum for the "greater glory of musical systems."" Never before, he says, "has the composer come so dangerously close to becoming an extraneous...
...guerrilla theater," Performing on street corners or on flatbed trucks, earning their keep by pass-the-hat collections, these dramatic revolutionaries have but one purpose: to "radicalize" their audiences into action and rebellion, Recently, three of the best-known guerrilla organizations -the Mime Troupe, New York City's Bread and Puppet Theater and California's El Teatro Campesmo-gathered at San Francisco State College for a five-day "theatrical orgy" of radical plays...
...less a dramatic polemicist is Peter Schumann, 34, a German sculptor and choreographer who came to the U.S. seven years ago and organized the Bread and Puppet Theater. Schumann and his fellow actors perform mostly in New York City slums where, since receiving a grant two years ago, they run workshops in which ghetto children can make puppets. Before each performance, the company tears fresh loaves of pumpernickel into bits and passes them through the audience-an artistic communion that both engages the viewers' participation and sets the group's humanistic tone. "All of our shows...
Making Noise. Where the Bread and Puppet Theater leaves off, El Teatro Campesino (the Farm Workers' Theater) begins. It does not simply point out evil but demands immediate action to eradicate it. An example of contemporary folk art, the Teatro has traveled the dusty roads of California's San Joachin Valley for three years, giving artistic moral support to the strike of César Chávez's Mexican-American grape pickers. The players encourage a revivalist atmosphere of hand clapping and shouting. "We like to make noise," says Director Valdez, who studied drama...
...really, and New York would be lucky if it were. For unlike New York's past labor troubles, this crisis doesn't revolve around the bread-and-butter issues with which the politics of compromise can deal. Behind a fog of legalisms and futile maneuverings looms a political scientist's nightmare: New York is experiencing the unbuffered collision of social forces and the situation has left its government sputtering impotently...