Word: breakfasting
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Dates: during 1980-1989
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Still, not all Western delegations were happy with that compromise and the MacBride report itself had moved one British speaker to recount the story of the Anglican curate who sits down to breakfast with his bishop and finds an obviously bad egg on his plate. When the bishop offers to replace it, the curate, trying not to offend his host, protests: "Oh no, my lord. I do assure you, it is excellent in parts." The Western press may likewise find the new information order, as UNESCO seems likely to serve it up, good only in parts-and hence unpalatable...
Gourmets of moderate means often scrimp on basic foods like breakfast cereals so that they can splurge on exotica. Jamail's, the premier gourmet store in Houston, offers this kind of shopper a spectrum of choices from Van Camp's pork and beans to shark meat pâté. Moreover, epicurean dining need not be exorbitant. Fine Italian pasta at $2.10 per lb. makes a cheaper meal than American beef tenderloin at about $4 per lb. Says Frank Cloudt, who owns a gourmet grocery in Atlanta: "People would rather have an exquisite beef stew than a mediocre...
...second one-acter, Pasatieri's before Breakfast, is considerably more successful. Adapted by Director Frank Corsaro from a play by Eugene O'Neill , it is a melodrama similar in style, if not in score, to Poulenc's La Voix Humaine. The setting is a grim Depression flat. Soprano Marilyn Zschau is preparing breakfast for her husband before leaving for her own job as a waitress. While she flops around the room in her slip, she carries on a one-way conversation with the silent and unseen spouse as he gets up and goes into the bathroom...
...intense work, musically as well as dramatically, and both the composer and the singer make the most of it. Pasatieri's music is pleasing rather than profound, but his lyrical gift is real. There are beautiful swelling orchestral lines in before Breakfast, and a touching, plangent piano solo. The influence of Gian Carlo Menotti is obvious, but in this, his 14th opera, Pasatieri speaks nonetheless in a voice all his own. Zschau is generally impressive in a role that was originally written for Beverly Sills. Zschau is a fine actress, as well as singer, and her only fault...
...coalesce. It all starts with the opening credits, white letters on black background, no sound: "Oh, Christ," you think--"not another American Bergman." Throughout, Redford blunders like the typical autodidact, smothering whatever intuitions he might have about film with a congeries of tony cliches: an aerial shot of a breakfast table, for example, or a shot of a license plate as the family car pulls into the garage...