Word: breakfasting
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Dates: during 2000-2009
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...tranquillity. Each of the five individually designed rooms?with carved oak furniture, velvet curtains, patterned silk bedspreads and Berber carpets?manages to be grand and yet surprisingly cozy. Our bathroom in the Arabesque suite featured a cool concrete tub and locally produced natural soaps and moisturizers. A splendidly fresh breakfast of crusty bread, Moroccan bread or Moroccan crepes with jam is included. With its sumptuous comfort and kaleidoscopic flair, the Riad Fes Baraka captures all the intense and colorful blur of the city outside. tel: (212-5) 5740584; www.riadfesbaraka.com
...Don’t Care Who Says What. Nick and Jessica Are Fucking Over. Just Accept It.”Keep listening, oh little ones, for there are more lessons you must learn. Once you’ve made it through a brisk morning breakfast of blogs, you will be craving further sustenance. Now comes the time to evaluate the fame, which is exactly what they do at Fametracker.com--audit whether celebrities really deserve the attention they receive. The latest feature for Fametracker is “Celebrity vs. Thing,” which pits the names we know...
...Oughta Know,” but less angry. Shakira chooses the self-reassurance angle, with lines like, “I’m glad that I’m not your type.” The backing track could be a B-side from “The Breakfast Club” soundtrack; Shakira’s whispered lines sound appropriately like ’80s movie dialogue. This corny breakdown should have taken a cue from 2001’s “Objection (The Tango),” in which Shakira’s words served...
...explosion of Oscar-baiting performances in which straight actors play gay, transvestite or transgender characters.” Think about it—Philip Seymour Hoffman is the mincing Truman in “Capote,” Cillian Murphy is a pretty cross-dresser in “Breakfast on Pluto,” and Felicity Huffman is a midlife-crisis pre-op in “Transamerica.” And all that’s in addition to the Jake Gyllenhaal/Heath Ledger vehicle, “Brokeback Mountain,” which is almost universally known...
...Images appear and start moving across the screen. The 10-minute film follows a pregnant woman—the sister of one of the student filmmakers, Roberto C. Patino ’06—through her everyday life. She first appears on the screen, doing laundry and making breakfast. Later, the camera skims over a variety of inanimate objects in her life: a framed wedding picture, a Pilates pregnancy edition videocassette, a container of pregnancy nutrient supplements. The photographer follows her to work where she chats with a coworker, on a walk with her husband...