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...sons (yes), God matter-of-factly instructs Moses: "Ascend these heights of Abarim...and view the land of Canaan which I am giving the Israelites as their holding." When Moses has seen the Promised Land, God says, he will perish. Moses immediately acquiesces: "Let the Lord, source of the breath of all flesh, appoint someone [else] over the community." His later recollection in Deuteronomy, however, is "I pleaded with the Lord at that time, saying...'Let me, I pray, cross over and see the good land on the other side of the Jordan, that good hill country, and the Lebanon...
Following more yelling from the audience, Dylan mutters some incomprehensible words under his breath, tricking the audience into silence, and then kicks into high gear "One Too Many Mornings." In "Ballad Of A Thin Man" Dylan feasts on his victory, taunting the unhappy members of audience with some bars of solo piano but then offering "You know something is happening, but you don't know what it is. Do you Mr. Jones?" as a blatant challenge. Even the heckler, accusing him of personifiying Judas, could not stop Dylan. He turned to the Hawks, and uncharacterlistically cursed, "Play fuckin' loud!" They...
...could not have been 18--leaned over and quite deliberately stuck an ice pick between two ribs deep into Siahae's right lung. He pulled it out again and looked at the blood on the steel with satisfaction. Siahae was face down on the concrete now, heaving for breath, too battered to cry out, barely conscious. His back was scored with stab wounds. The youth was smiling...
...means of equally ridiculous justifications, everyone in A Man in Full manages to land in hot water somewhere along the way. Wolfe spares no individual or institution his withering critique--he details white Atlanta's visceral fear of Freaknic and urban youths' self-centered apathy in the same breath. Often Wolfe comes across as a bit too cynical; his book virtually ignores (or denies the existence of) the better aspects of humanity. No one in A Man in Full evinces any selfless emotion, for instance, but only a desire for power...
Still, traditional cel animation sometimes seems like just one implement in an ever more digital toolbox. Half the shots in DreamWorks' upcoming biblical tale, Prince of Egypt, for instance, were created with special effects. The 7-min. parting-of-the-Red-Sea sequence used (take a deep breath) 10 digital artists, a 2-D artist, 16 traditional animators and two programmers...