Word: breathlessly
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Dates: during 1960-1969
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...restorer, using archaeological techniques, to transfer some of the delicate oils to canvas. The resuit is now being shown at Paris' Galerie Andre-Frangois Petit. Amazingly, the colors are as bright as the day Ernst painted them, and each of the 14 canvases carries something of that breathless, rarefied atmosphere of in sight and abandon in which they were created. More important, perhaps, notes Paintei Andre Masson, they prove that Ernst was a precursor as far as Sur realism was concerned. "While the rest of us were still formulating our ideas, he already had his foot in the door...
...further made the subject of each film work as its method. Thus Pierrot le Fou is a romance (subject) realized in flowing colors, soaring music, and a hero whose journey through this setting is the motive and organizing force of the drama (method). Individual alienation becomes the method of Breathless through a hero who conducts a very detached investigation of his surroundings. Weekend's subject is general alienation in a capitalist society, and its method is to follow characters through a bourgeois countryside. But these characters, being alienated themselves, have no serious moral responses to the terrible events they...
...date with him on Friday? I mean, no girl could just outright forget a date! He had stood there on the porch, stuttering and awkward, and suddenly they had kissed--a lingering, deep, open-mouthed kiss, much more than the peck he had anticipated--and then, he breathless, sad said "See you next Friday, okay?", and she said, "Yes," and he said, "I'll call you next week, we'll probably see a movie," and then he had run all the way back to the Yard; she had forgotten this?! No, she was too nice. Such fine girl! Martin thought...
Jean-Paul Belmondo, hero of Breathless, plays the lead role of Ferdinand (the name of a king of Spain during the Inquisition), a man whose life has drifted away from him without his realizing it. He had sold out when he married an Italian girl who had a lot of money and now he is bored. He goes to a party with his wife. The camera follows his point of view as he wanders around the party aimlessly staring at the people there, always puffing on his Gauloise Bleue. In a highly stylized sequence, different groups of Beautiful People repeat...
...with his past. Ferdinand becomes Pierrot Le Fou. He acts. He grabs a huge chunk of cake, flings it at the Beautiful People, and bolts out the door into a world of ecstasy and destruction. Like a desperate gambler, he is going for broke. As with Michael Poiccard in Breathless, it is all or nothing...