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From an opening luncheon given in Philadelphia by the Columbia alumni association, the A.I.A. got its first breathless bulletin on what to expect: "He seems to be in a good mood. He speaks English. He is on his second drink." That afternoon he paused long enough to speak to a group of architectural students, whom he mesmerized. "I left Paris yesterday morning," he announced. "It is now bedtime for me. Deja it is one o'clock in the morning. That is why I will be very brief." He was brief for an hour, rapidly sketching on two large boards...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

Listening with every pore open to the gibes and chaffer of the two sophisticates is a green, young editorial hand, David Polonsky (obviously Angoff), a breathless and bewildered Boswell already a trifle disillusioned in his Johnson. Polonsky's trouble seems to be that he has come to the American World seeking a 20th century messiah and found only a man with a man's common frailties. Nonetheless, Mencken, as the villainous Brandt, commandeers The Bitter Spring and breathes into it the only life it has. While much of Brandt's talk is unfit for print, it alone...

Author: /time Magazine | Title: Books: Summa Contra Mencken | 5/5/1961 | See Source »

...theme: only those who can suffer can love, only those who can love can live. Instead, the picture lolly-gags along, until the hideous orgy of the goums, like a nice, country-faced, un-soaped soap opera. As such, it is nevertheless lively and diverting. Belmondo, who in Breathless emerged in one catlike bound as the French Bogart, here plays the polar opposite of that part and plays it with wit and sensitivity. And Loren, though hardly the woman Moravia had in mind, makes a superlative tigress. Cunning, selfish, sensual, ferocious and above all female, she leaps on her passions...

Author: /time Magazine | Title: Cinema: Fine Italian Ham | 4/28/1961 | See Source »

...Breathless (in French). Formless, flashing cinematic cubism, based on the existentialist tenet that life is just one damn thing after another...

Author: /time Magazine | Title: Cinema: Apr. 21, 1961 | 4/21/1961 | See Source »

...Breathless (in French). Formless, flashing cinematic cubism, based on the existentialist tenet that life is just one damn thing after another...

Author: /time Magazine | Title: Time Listings: Apr. 14, 1961 | 4/14/1961 | See Source »

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