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Word: breathlessly (lookup in dictionary) (lookup stats)
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WHRB's Cecil Taylor Orgy* is a chance to experience almost the effect of hearing a full live performances. It will leave you not merely breathless, but just plain screwed up for a long time.Photo Courtesy of WHRB...

Author: By Eric D. Plaks, | Title: Passionate Taylor Grooves | 1/20/1995 | See Source »

...Hoffman) can find nine ways to muse on life and death. And even in a 10-minute sketch, playwright David Ives can find a dozen ways to aerobicize the playgoer's brain. Six pieces in one dazzling off-Broadway evening display Ives' verbal gifts and humanist brooding. These are breathless sprints that the heart makes over the high hurdles of language...

Author: /time Magazine | Title: The Best Theater of 1994 | 12/26/1994 | See Source »

...There, an apologetic aide informed her that due to one of the city's increasingly frequent power shortages, the elevator was out -- and she would have to climb six flights of stairs. Leaning on her interpreter, Burton made it up the steep candlelit stairway. "When I arrived, wilted and breathless," she recounts, her interview subject chuckled, gestured to a mural of the dam and said, " 'Now you can see for yourself how badly we will need the energy this dam will supply...

Author: /time Magazine | Title: To Our Readers: Dec. 19, 1994 | 12/19/1994 | See Source »

...main roles are imbued with gravity and grace. Adrian Lester, a willowy black Rosalind, has the gift of breathless apprehension, ever ready to burst into tears at the folly and wonder of men. Scott Handy is Orlando, properly perplexed at the vision of a man (Lester) playing a woman (Rosalind), who for the sake of a jest is playing a man. Simon Coates is deliciously censorious as Rosalind's companion, Celia, a young lady well bred in exasperation; some day she may grow up to be Oscar Wilde's Lady Bracknell...

Author: /time Magazine | Title: THEATER: Something to Sing About | 12/12/1994 | See Source »

Godard consciously complicates the narration of the Donnadieus' story. The director has a history of experimenting with traditional narrative conventions. In his classic New Wave film, "Breathless," for instance, he mixed elements from the detective, comedy, and suspense genres. But "Helas Pour Moi" is far less straightforward than "Breathless." Godard plays with chronology and with point of view, shifting from the Donnadieus to the townspeople to the publisher and back in forth in time. The already fragmented narrative is further broken by repeated chapter titles and words on the screen. While a straightforward plot is by no means a requirement...

Author: By Rachel E. Silverman, | Title: 'Helas' for the Audience | 12/1/1994 | See Source »

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