Search Details

Word: breathlessly (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...BREATHLESS Directed by Jim McBride...

Author: /time Magazine | Title: Cinema: Punk Spunk | 5/30/1983 | See Source »

...generation that learned to take film seriously in the '60s, Jean-Luc Godard's Breathless was nothing less than breathtaking. Offhandedly it proposed that B movies, and almost everything else in the junk culture, actually influenced behavior more profoundly than the official culture did. Openly, instead of in the coded language of melodrama, the picture suggested that most of the violence in society was both meaningless and affectless. And this it did with a brash, jump-cut technique that seemed to be anti-technique. Dedicated to Monogram Pictures, the old Poverty Row movie mill, this was a Hollywood...

Author: /time Magazine | Title: Cinema: Punk Spunk | 5/30/1983 | See Source »

...Virginia ran a computer check on the patterns of its employees' long-distance calls. It turned out that in March alone 2,509 calls went to a single New York City number. What for? A 57-second recorded message that titillates dialers with aural sex, specifically the breathless sounds of an ersatz liaison in which the imaginative caller can pretend that he (or she) is a participant...

Author: /time Magazine | Title: Aural Sex | 5/9/1983 | See Source »

...GREAT MANY scenes at Harvard seem singularly well suited as backdrops for a novel. The gently rolling waters of the Charles at dusk, with a single oursman sculling past; the Square on a weekend evening, abuzz with music and breathless partygoers; the Yard on a spring afternoon, as sunlight streams through a circle of historic buildings...

Author: By Michael W. Miller, | Title: Veritas Between the Sheets | 5/9/1983 | See Source »

...large, slanted windows. And Katselas also surrounds his principals with accomplished performers Cullum, who won Tony Awards for Shenandoah and On the Twentieth Century, blends naivete with an almost treacly love for Amanda to create a character who seems unbeatable despite his efforts to the contrary. With a breathless voice, and a fey, almost stupid demeanor. Walker's Sybil seems both attractive and repellent. Much of Private Lives' fun results from watching Sybil evolve as the play unfolds. Walker's confidence--and gestures that skirt the melodramatic but manage to remain realistic firmly anchor her character, if only in space...

Author: By Richard J. Appel, | Title: Invasion of Privacy | 4/18/1983 | See Source »

Previous | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | Next