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Friday, March 10: Film: Breathless, starring Jean Belmondo and Jean Seberg, Room...

Author: NO WRITER ATTRIBUTED | Title: MIT | 3/9/1978 | See Source »

...kidney into the camera and the audience will dive out of its seats? If you're going to hit an audience over the head, fine--John Frankenheimer can do it with wit and style; in a film like Black Sunday the camera never stops moving and leaves the audience breathless with excitement. But in Coma the camerawork is smooth and dull, and Jerry Goldsmith's quasi-Bartok music underscores only the gravity of the proceedings...

Author: By David B. Edelstein, | Title: Organs Aweigh | 2/22/1978 | See Source »

...have." A classic workaholic, Byrd rises at 6:30 every morning, then usually travels by chauffeur-driven limousine ? one of his perks of leadership ? from his modest suburban house in McLean, Va., to his office, where he is in business by 7:45. He then begins a breathless round of staff discussions, committee meetings, and appointments. The majority leader always eats lunch in his office, usually a bologna sandwich prepared by his wife Erma. Says he: "It saves time...

Author: /time Magazine | Title: National Affairs: Byrd of West Virginia: Fiddler in the Senate | 1/23/1978 | See Source »

Tour openings any place, let alone in a foreign country, are tough moments for even the mightiest of rock groups. The Atlanta crowd was not knocked breathless by the Pistols, but they obviously had some of the fun Rotten urged upon them. It was not a typical punk assemblage of street-wise rowdies, although one fellow showed up with a safety pin punched through his cheek. The kids pelted the performers with a friendly barrage of crumpled paper cups and, as the Pistols' big beat went on, twisted and swayed on their feet. They had no choice: the place...

Author: /time Magazine | Title: Music: The Sex Pistols Are Here | 1/16/1978 | See Source »

What lifts this film into orbit?and what saves it from being a shaggy flying-saucer story?is the breathless wonder that the director brings to every frame. Whether he is showing us a pristine, starry Midwestern sky or displaying Special Effects Wizard Douglas Trumbull's formidable arsenal of spaceships and celestial storms, Spielberg seems to be looking at everything onscreen as if for the first time. The freshness of his vision is contagious?and exhilarating. While most thrillers, including Jaws, manipulate the audience mechanically, Close Encounters makes it a partner in the film maker's quest for excitement...

Author: /time Magazine | Title: Show Business: The Aliens Are Coming! | 11/7/1977 | See Source »

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