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Word: brecht (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...playwright said he'd never heard of Brecht, which surprised me a little even though concentrating on Western art was obviously unfair--few Chinese playwrights are well known in the United States. But none of us had enough background in Chinese art to ask intelligent questions. The dancers said they'd never heard of Nureyev. One actor said he'd read some Shakespeare and found it similar, in some ways, to traditional Chinese drama, but "far removed" from present-day China. One musician said he'd heard some Beethoven but found it "rather far away from our sentiments and needs...

Author: By Seth M. Kupferberg, | Title: Culture and Anarchy in China | 12/11/1974 | See Source »

...discussing the masters' ideology, Genovese relies heavily on the writings of Antonio Gramsci, the author of the The Modern Prince who helped to found the Italian Communist party. Gramsci is just one of dozens of the unexpected writers cited in Roll, Jordan, Roll--the others range from Hegel, Brecht, T.S. Eliot and Robert Lowell to historians of Italian slavery and traditional Japan. But Genovese devotes special attention to Gramsci, with his stress on the role played by a society's ruling ideas in ligitmizing--indeed, giving the appearance of inevitability to--its practice, not just among the ruling class...

Author: By Seth M. Kupferberg, | Title: Reviving A Dead World | 10/17/1974 | See Source »

...Weimar Republic in 1932, is the orphan of modern art: plaintive, clotted with turbulent emotion, snotty and-outside Germany-somewhat inaccessible. Its local significance was immense, its international resonance small; even today, the expressionist works that survive best seem to be in film (Fritz Lang) or theater (Brecht-Weill) rather than in painting...

Author: /time Magazine | Title: Art: Last Twitch of German Romanticism | 9/16/1974 | See Source »

...leaves the Loeb to make way for the Summer School Repertory Theater's next production, Odets's Awake and Sing! One of those faceless people in the Harvard bureaucracy sent The Crimson an anonymous note pointing out that it was "bullshit", to say that the local production of the Brecht-Weill play drew unanimous praise. That's probably true, but it is also probably true that our correspondents' mother wears army boots. In any case, the show at the Loeb is undeniably excellent and it would be a shame to miss it before it closes tomorrow night. This evening...

Author: NO WRITER ATTRIBUTED | Title: THE STAGE | 7/12/1974 | See Source »

...Threepenny Opera continues its smash run at the Loeb this week. Everyone who sees this production of Brecht's masterwork praises it, and about the only fault to be found with the whole show is that some of the actors aren't up to snuff as singers. So what? The Summer Rep has reportedly realized all the political potential of the play, and that alone is reason enough to go see it. Shows tonight thru Thursday begin at 8; for the next two days admission is $4.95, the price goes up a buck on Thursday...

Author: NO WRITER ATTRIBUTED | Title: THE STAGE | 7/9/1974 | See Source »

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