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...Bertolt Brecht sought refuge in the U.S. in 1941 and went to Hollywood "to join the market where lies are bought." Happy End, a musical written in 1929, resembles nothing so much as an oldtime, screwball gangster movie. A rollicking revival staged recently at the Brooklyn Academy of Music has now been admirably transferred to Broadway's Martin Beck Theater...

Author: /time Magazine | Title: Theater: Salvation in a Gin Mill | 6/13/1977 | See Source »

THREEPENNY OPERA. A stylistically sardonic revival of the Bertolt Brecht-Kurt Weill masterpiece...

Author: /time Magazine | Title: The Theater: The Year's Ten Best | 1/3/1977 | See Source »

...clientele at Manhattan's gay Continental Baths, Bette Midler can look forward to at least a dressier audience this January at the New York State Theater. Belting Bette is scheduled to appear there with the New York City Ballet in a new production of Kurt Weill and Bertolt Brecht's The Seven Deadly Sins. Celebrated Choreographer George Balanchine chose her to play the lead role of the peripatetic showgirl Annie, a part created in 1933 by Weill's widow Lotte Lenya. Why? "She has a good voice and red hair." Says Bette: "It's a dream...

Author: /time Magazine | Title: People, Dec. 13, 1976 | 12/13/1976 | See Source »

...most of Strehler's career has been spent in the theater. When he was rehearsing Bertolt Brecht's The Three penny Opera at the Piccolo Teatro in 1955, the playwright showed up, hung around after opening night and finally handed Strehler a message typed on an envelope. It asked Strehler to be the artistic custodian of Brecht's works, not just in Italy but in all of Europe. Brecht died the next year, and Strehler has carried on. His timeless, yet utterly contemporary staging of The Life of Galileo is considered a classic, used as guidance even...

Author: /time Magazine | Title: Music: Unlocking the Essence of Opera | 9/20/1976 | See Source »

...Greg Brecht Green...

Author: /time Magazine | Title: Forum, Jul. 26, 1976 | 7/26/1976 | See Source »

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