Search Details

Word: brecht (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...featured act, but she also kept up her new attachment to the theater. She played both Hippolyta and Titania in a West End production of A Midsummer Night's Dream, Hedda Gabler at Canterbury, and replaced an ailing Lotte Lenya in a production of the Weill-Brecht The Seven Deadly Sins in Edinburgh. Currently she is starring in a London revival of Show Boat, where her breathy, pulsating Bill is a showboat-stopper. Her musically adventurous nature has also led her to give lieder recitals, try some of Dankworth's offbeat settings of Shakespeare Sonnets and Bach inventions...

Author: /time Magazine | Title: Music: Cool Cleo | 2/5/1973 | See Source »

...hope that such an operation would be valuable to their audience. In this instance, Eddington's treatise on "the downfall of classical physics" and the scientific revolution which quantum theory and the notion of relativity introduced has been superseded, is obsolete; it was written in 1927. Still, Brecht's Hauspostille appeared at the same time, and the critic's disposition is to consider this document beside the historical conditions which are in evidence...

Author: By James R. Atlas, | Title: On Reading | 12/13/1972 | See Source »

...opening night audience seemed a bit hesitant starting up its curtain call applause, as if it had expected more--with good reason. The last scene of A Man had been cut out. By ending with Bloody Five's self-inflicted castration the production itself is emasculated. Brecht intended to show the interchangeability of the human war machine's parts, the disquieting ease with which Galy Gay is dissolved and re-assembled. Galy Gay's conversion into the assertive war machine. Jeratah Jip, is hinted at by Galy's request for more rice--but, at curtain fall that hasn't even...

Author: By Alan Heppel, | Title: A Man's A Man | 12/9/1972 | See Source »

...BLAMI MUST LIE with director Don Bacon. His deterion a questionable practice in most cases and disastrous in this one, cuts the core out of Brecht's thesis. His decision is doubly unfortunate since all along the performance promises so much. With the Brecht he has used, Bacon has built a solid well paced show. The acting is more than competent and the blocking works unobtrusively and well. The elaborately eccentric set makes funny noises and spouts smoke on cue what more could you want. As well as reflecting the characters the costumes are comic statements in themselves. The show...

Author: By Alan Heppel, | Title: A Man's A Man | 12/9/1972 | See Source »

...student actors all give serviceable portrayals and even better they seem to understand what Brecht has them saying. Mace Rosenstein turns out a suitably naive and accepting Galy but has no chance to show his evolution. As Bloody Five, Tim Manna struts and bellows, though in his efforts to growl, his lines occasionally garble. Marty Shofner, Richard Bertelson, and Steve Craddock make a good Three Stooges team, and their casual violence fits their uniforms. By avoiding Widow Begbick's slattern stereotype, Claudia Carter does Brecht's characterization one better. Parkman Howe, as a monk cum con artist, skitters away with...

Author: By Alan Heppel, | Title: A Man's A Man | 12/9/1972 | See Source »

Previous | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | Next