Word: breck
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Dates: during 2010-2019
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...Crazies” allows the audience to understand why Iowans are becoming insanely violent zombies (for the record, the infected are not technically zombies, but ultimately there’s no difference). Too often screenwriters and directors are given free passes to avoid presenting any exposition, but here, director Breck Eisner (whose last wide-release was box-office bomb “Sahara”) treats the audience to a story with such plausibility and intelligence that it evokes a very realistic fear. The film is also co-written and produced by Romero, the godfather of zombie movies...
That's Act One of The Crazies, directed by Breck Eisner from a script by Scott Kosar and Ray Wright. The story fans out from its Anytown-Goes-Crazytown first half-hour into a besieged-heroes scenario, in which David, Judy and Russell are hemmed in both by the zombie-ish locals and the military in hazmat suits, who have come to contain the plague at the cost of Ogden Marsh's very existence. It's an efficient thriller, with scare weapons ranging from the primitive (a pitchfork) to the apocalyptic (an A bomb). The acting is only horror-film...
...under his eye. In Big Love you think of Seyfried as the smart girl tormented by the polygamy mess her dolt of a father has gotten her mother into, not the pretty girl. But she's seriously glamorized here: with her hair falling in golden waves she's a Breck girl with a decent brain. These two do have chemistry, and when a sudden rainstorm catches them outside - doesn't it always? - she leaps at Tatum, wraps her legs around his waist and latches on to his luscious lips with hungry desire. Let the consummation begin...