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Then into town comes a strange breed of Nigra (Sidney Poitier). He's just passing through, but at home in Philadelphia he is a "top homicide expert" on the police force. Steiger sees him as a perfect scapegoat, but the widow, recognizing the incompetence of Steiger's bumbling staff, demands that Poitier be put on the case. To Poitier this is an ironic challenge. He is uppity enough to welcome the chance to put on airs with impunity, and he proceeds to demolish Steiger's plan of attack with a gusto that borders on the sadistic. Thus...

Author: /time Magazine | Title: Cinema: A Kind of Love | 8/11/1967 | See Source »

...midweek. Again he deplored the breakdown of law and order, warning rioters that "explanations may be offered, but nothing can excuse what they have done. The violence must be stopped: quickly, finally, and permanently." But he also pleaded for "an attack-mounted at every level-upon the conditions that breed despair and violence." There is no other way, he said, to achieve a "decent and orderly society...

Author: /time Magazine | Title: Politics: After Detroit | 8/4/1967 | See Source »

Buried somewhere in Africa is a valid idea. Far-sighted ranchers are indeed beginning to breed wildlife as a partial answer to the world's dwindling food supply. Tors, a director of the World Wildlife Fund, obviously hoped to make a film that would entertain as well as in struct. This one does neither. Africa-Texas Style! has not enough of the real Africa, less of Texas, and no style at all. It patronizes the natives, shows the beasts in badly edited shots that unconvincingly mix footage of wild lions and tame humans. Tors has even included the ancient...

Author: /time Magazine | Title: Cinema: Livestock in Trade | 7/21/1967 | See Source »

...physical shape, and put onto the track at one year. By two and a half they hit their prime, and after four it's off to the stud farm. They can be bought as pups for prices ranging from $300 to $3000, but sales are rare, since most kennels breed their own pups, and few people who don't race have the money or motivation to buy them...

Author: By Anne DE Saint phalle, | Title: A NIGHT AT THE DOGS | 7/11/1967 | See Source »

Like some Michelangelo who carves peach pits, or a Shakespeare whose medium is the haiku, Harmonica Virtuoso Larry Adler has found that there are grave drawbacks to being the best of a rare breed. His tongue-twisting technique and feathery phrasing have dazzled concert audiences for more than a quarter-century; but purists still dismiss his performances of classical music as gimmickry, akin to playing horn concertos on a length of garden hose. Now and then, such composers as Ralph Vaughan Williams and Darius Milhaud have written pieces for him, but the repertory for harmonica remains woefully thin; most...

Author: /time Magazine | Title: Instrumentalists: Seeking a Mark | 6/30/1967 | See Source »

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