Word: breeds
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Dates: during 1960-1969
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...Agnew, the wilder youngsters are a "breed of losers," to whom he juxtaposed "our heroes" returning from Viet Nam "without limbs or eyes, with scars they shall carry the rest of their lives." The burden of the message was clear: right-thinking Americans must choose between those who win the red badge of courage and those who wave the red flag of dishonor. Without question, the more extreme antiwar partisans have earned that kind of comparison. The real issue, however, is not the courage of those who fight the war but whether their courage is being expended wisely...
...also announced that noise limits have been established for the forthcoming breed of "jumbo jets" -Boeing's 747, Lockheed's L-1011 and McDonnell Douglas' DC-10. The legal maximum for jumbo noise will be considerably lower than the sound made by large jet engines now in operation; in effect, it will cut in half the noise audible to those on the ground. Under the new limits, the jet noise should be no louder than that heard by a man running a power mower with a four-cycle engine, the FAA promised, and only a quarter...
...then the Mets got tired of losing. They acquired a new breed of men; men who had been raised on a Breakfast of Champions, men with strong, clean names like Tom Seaver and Jerry Koosman. And suddenly they began to win. In the year 1969, the Amazin's beat out the Chicago Cubs for their division title; then they whipped the boys from Atlanta soundly to win the National League pennant...
...significant theater seems to require the kinetic tempo, the minute-to-minute violence and conflict, the constant intellectual bombardment and diversity that can exist only in a great city. The prime fallacy behind regional theater is the notion that architecture induces art, that bricks breed genius. After more than a decade of assiduously erecting culture structures, not a single sizable talent has emerged from the regional theater. Far from assembling able dedicated ensemble companies, the regional theater has merely spawned a theatrical bureaucracy of so-so actors and so-so directors who are not above displaying a sly slapdash contempt...
Darlington supplies his own definition of social class as "A group of people who breed together because they work together and work together because they breed together." With this definition in hand, he sorts peoples, nations, cities and even craftsmen into indigenous tribes. "Nothing on earth will make them come to terms with the general body of society," he writes of the Cosa Nostra, whom he classifies as hereditary criminals. "They are a race apart...