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...Bregman, a Berkman Center research affiliate, also notes that Napster may not have the financial resources to conduct a long legal battle...

Author: By M. ARI Behar and Joshua J. Forman, CRIMSON STAFF WRITERSS | Title: Harvard Stays Clear of Napster Battle | 5/17/2000 | See Source »

...really. Actually, because of [producer Martin Bregman's] persistence of the fact that we were just fictionally telling a story about someone who really existed and [his] true-to-life experiences, everything you see in the movie happened, just names and places and sequences and realities, literally, have been altered. By no means would I want to try to do an imitation of Bo Dietl for the movie. So I was able to create for myself a lot of the character based on my vision. I spent a lot of time with Bo and talked to him about his life...

Author: By Joseph F. Cooper, CONTRIBUTING WRITER | Title: Hanging Out (and Talking) 'Tough' with Stephen Baldwin | 10/16/1998 | See Source »

...Crimson was The Service News for the duration, thin but useful. The Lampoon flourished, however, with my house mate and classmate Len Bregman as principal cartoonist and cover artist. The other literary forms of the time included richly inventive graffiti ("Henry VII Is Insatiable") and the bulletin-board memos of Elliot Perkins, the with master of Lowell House, who wrote with a graceful elegance that suggested The New Yorker and the Book of Common Prayer rolled into...

Author: By Charles Champlin, | Title: REMEMBERING 1947: LOOKING BACK ON HARVARD AND RADCLIFFE | 6/2/1997 | See Source »

This chameleonic actress has a lot going for her, starting with her eccentric good looks. "Taken apart, Ellen doesn't work," observes Martin Bregman, who produced Sea of Love. "But put it together, and you've got a stunning woman." Then she gives you Method intensity with treacherous glamour. As Sea's director, Harold Becker, notes, "Ellen is very real. She looks like she's lived, like she's earned her face." And her spurs. This is a ferociously bright, witty, serious actor who packs risk and surprise in every move. She will go bigger, badder, beyond. "So much...

Author: /time Magazine | Title: Show Business: Barkin Up the Right Tree | 10/23/1989 | See Source »

Until Dec. 19, though, when Platoon opened, Hollywood had thought the picture a matter of indifference. It had taken Stone ten hungry years to get the project going. "For two years in the late '70s," says Producer Martin Bregman, "I banged on every door in California to get it done, but at that time Viet Nam was still a no-no." Tom Berenger, the film's showcase psychopath, imagines that "it must have made Stone feel like an old man, carrying the project around for so long. He said it broke his heart." Then something interesting happened: people went...

Author: /time Magazine | Title: Platoon: Viet Nam, the way it really was, on film | 1/26/1987 | See Source »

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