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Harvard started the game in most un-hospitable fashion. Following Jerry Mechling's kick-off, Stephens and Rick Beizer slammed down Rutgers' runners for minimal gains, and when a third down pass failed, Bill Brendel kicked for the Knights. The wobbly boot was not aided by an interference penalty, and the Crimson took over on the Rutgers...

Author: By Steven V. Roberts, | Title: Crimson Dumps Scarlet Knights Here, 28-0 | 10/7/1963 | See Source »

With the flashy but inconsistent Dave Stout at quarterback, Rutgers made one first down and kicked again. This started an almost interminable exchange of punts between Brendel and the Crimson's sophomore kicker, Jim Gahan. The penalty seemed to be the most potent offensive weapon as the game lumbered into the second quarter...

Author: By Steven V. Roberts, | Title: Crimson Dumps Scarlet Knights Here, 28-0 | 10/7/1963 | See Source »

...crowd of 12,500, almost asleep minutes before, was now moderately agitated. The defense held, and the Crimson received a Brendel punt on his own 48. Senior Bill Humenuk took over at quarterback and completed a sharp pass to end Chip Gray...

Author: By Steven V. Roberts, | Title: Crimson Dumps Scarlet Knights Here, 28-0 | 10/7/1963 | See Source »

...Ulrik Brendel, an old mentor of Rosmer's whose life has corroded through his own illusory ambitions, was given a Chaplinesque twist by Joel Henning. As Professor Kroll, the pompous but observant conservative, Richard B. Stone heroically varies his redundant lines. Had he used his torso as flexibly, the visual effect would have been similarly less monotonous. Joel Crothers as the opportunistic radical leader whose dreams never exceed his political capabilities, and Beryl Kinross-Wright as a housekeeper, turn in two excellent performances...

Author: By Frederick H. Gardner, | Title: Rosmersholm | 12/8/1961 | See Source »

...more recent times, Gaughin and Picasso have used Renaissance and Egyptian figures as inspirations, said Brendel. The Medici Venus statue was the basis for one of Gaughin's figures in his Tahitian paintings, while Picasso has used an ancient statue of a kneeling Venus in his series of paintings: La Comedie Humaine...

Author: NO WRITER ATTRIBUTED | Title: Brendel Speaks | 7/30/1959 | See Source »

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