Word: breslin
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Martin T. Breslin, director for culinary operations, selected and led the members of the HUDS team: Hillel production manager Brian P. Corcoran, Eliot and Kirkland production manager Matthew J. Pierce, and Leverett production manager Ted Smith...
...like Lindsay Lohan and Britney Spears dominating the celebrity news, it’s unlikely that the “child star phenomenon” will become a thing of the past. In the meantime, let’s hold our breath for Dakota Fanning, Miley Cyrus, and Abigail Breslin. Way before ever becoming an agent, Iris Burton got her start as a dancer on Broadway and then in Hollywood. One of her only two film credits is as an unnamed dancer alongside Charlton Heston in “The Ten Commandments.” Curiously, Heston passed away...
...limiting fresh fruit options and vegetables like spinach, brussel sprouts and summer squash, for example—“as per usual.” However, unexpected food price increases have made this year’s annual slump particularly bleak. According to Martin Breslin, Director for Culinary Operations, the price of chicken increased 11 percent, flour 18 percent, and milk a prohibitive 30 percent during the winter menu cycle alone. This inflation—recently the source of countless Economist and New York Times articles—is the symptom of many converging problems. The rising costs...
Divorced daddy Will Hayes (Ryan Reynolds) picks up his daughter after school, looking forward to her weekend visit with him. But he finds little Maya (Abigail Breslin) and half the school in a tizzy; they just had a sex education class that was, perhaps, somewhat premature for some of the students. At home that night she insists that he tell her the story of his marriage to Mommy, which becomes an account of his young manhood and its significant romantic interludes. He insists on giving false names to the three women with whom he was most memorably involved, forcing...
...course - all sexual components cleansed - but even so it is discomfiting. It's a tale most fathers would resist telling a child - maybe even a fully grown one. And the actors have trouble with it. Reynolds can't help looking rather shifty as he relates his story and Breslin, who was so wonderful in Little Miss Sunshine, is obliged to play a standard-issue wise child, the kind of kid moviemakers think charming and audiences often feel like placing under a gag order. It's possible, I think, that Brooks - who wrote Bridget Jones: The Edge of Reason- may have...