Word: bressler
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Dates: during 1960-1969
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With Charles Bressler as tenor soloist, Dunn and the Festival Orchestra recreated Cantata 55 ("Ich armer Suendenknecht") and three arias chosen from other cantatas. Bressler, who might be called a coloratura tenor, apparently found no difficulty in notes an octave above middle C; lower, however, his voice was so mobile that it seemed thin at any one instant. Dunn chose slightly strange tempos in the closing work, Brandenburg Concerto No. 5: the second movement was faster, the third slower than usual...
Among the six soloists, Robert White (countertenor) and Charles Bressler (tenor) were particularly outstanding--both for technical accomplishment and tact. Especially when singing with the ensemble, they maintained a sense of humility, rising above the group, but never dominating...