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...MARTIN BRESSLER...

Author: /time Magazine | Title: Letters, Apr. 1, 1974 | 4/1/1974 | See Source »

Lieder-singing tenors often find the transition to early music difficult, but Charles Bressler is an exception. In the second part of Acis he supplied both magnificent solo technique (best in his martial "Love sounds th'alarm" aria) and at other times a capacity for blending in with the chorus. Bressler's voice is impressively agile while his manner is wholly engaging. The same cannot be said for soprano Jean Hakes. Singing Galatea's role, too often she allowed superfluous dramatic gestures to interfere with the music. She does possess an exceptional grace of execution, proving again her mastery...

Author: By Kenneth Hoffman, | Title: Handel: Acis and Galatea | 10/20/1971 | See Source »

...Chamber Soloists were enthusiastically received, an encouraging start for the Cambridge-Early Music Society's twentieth season. Had all the players caught the enthusiasm of the Messrs. Bressler, Murcell, and Ritchie, the evening would have been still more successful. Even so, a performance such as this with under fifteen people has infinitely more vigor than the cast-of-thousands approach used by the large opera organizations in their infrequent Handel offerings. Acis--along with Henry Purcell's chamber opera Dido and Aeneas--could make a strong case for baroque opera. It is a sad commentary on the form, however, that...

Author: By Kenneth Hoffman, | Title: Handel: Acis and Galatea | 10/20/1971 | See Source »

With Charles Bressler as tenor soloist, Dunn and the Festival Orchestra recreated Cantata 55 ("Ich armer Suendenknecht") and three arias chosen from other cantatas. Bressler, who might be called a coloratura tenor, apparently found no difficulty in notes an octave above middle C; lower, however, his voice was so mobile that it seemed thin at any one instant. Dunn chose slightly strange tempos in the closing work, Brandenburg Concerto No. 5: the second movement was faster, the third slower than usual...

Author: By Joel E. Cohen., | Title: An Evening of Bach | 10/11/1963 | See Source »

Among the six soloists, Robert White (countertenor) and Charles Bressler (tenor) were particularly outstanding--both for technical accomplishment and tact. Especially when singing with the ensemble, they maintained a sense of humility, rising above the group, but never dominating...

Author: By Raymond A. Sokolov jr., | Title: Renaissance Mass at Sanders | 10/10/1961 | See Source »

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