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...PICKPOCKET, Robert Bresson...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...Bresson may be to cinema what Poussin is to painting: an undeniable master whose supremely reserved style, while not easy to warm to, must be reckoned with by anybody seriously interested in the medium. Yet his work feels most like that of his beloved Cezanne, something like the last word in modernism. He's often paired with Dreyer because of their shared taste for visual and narrative austerity and because of the book Transcendental Style in Film; Ozu, Bresson, Dreyer, a seminal work of film scholarship by the screenwriter and director Paul Schrader...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...know Bresson's work, this 1959 film about a compulsive young criminal in Paris is the best place to start. Schrader appears on this disc to provide a new introduction to the film and to Bresson's demanding but ultimately captivating approach to the medium. The audio commentary is by the film scholar James Quandt, editor of the best single volume work on Bresson in English. In the way typical of Criterion, which regularly hunts through the archives of foreign television, the disc's producers have also tracked down a 1960 French TV interview with the elusive Bresson, as well...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...This film style was virtually patented in the '50s by Robert Bresson, the great French minimalist, and has been widely copied ever since. It seems easy to imitate. But when directors can't approach the artistry of which Bresson was capable, the films become a series of still-lifes about sour people. Much smoking, not much talking, almost no kinetic energy...

Author: /time Magazine | Title: Postcards from Cannes | 5/22/2006 | See Source »

...films are now serving the unintended function of instructing vulnerable juveniles how to work with a pimp and indoctrinating them into the world's oldest profession. "We see this across the board in terms of pimps using videos to glamorize and glorify the profession," says FBI spokesman Paul Bresson...

Author: /time Magazine | Title: Are Pimp Films Too Instructive? | 3/13/2006 | See Source »

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