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...There was no war, and there was a stable economy.” It was in the open cultural atmosphere at the time that Tsai was first exposed to the European art-films of the Nouvelle Vague and the New German Cinema, to the great auteurs Robert Bresson, Francois Truffaut and Rainer Werner Fassbinder, who would heavily influence his later film-making...

Author: By Zhenzhen Lu, CRIMSON STAFF WRITER | Title: Taiwanese Auteur Nostalgic for Old Times | 10/22/2004 | See Source »

...Julien Levy hung the black-and-white images of three unsung photographers on his walls, and all three went on to make huge contributions to the 20th century's image bank. The exhibition, entitled Documentary and Anti-graphic Photographs, showcased the early work of Manuel Alvarez Bravo, Henri Cartier-Bresson and Walker Evans. This week, just a month after the death of Cartier-Bresson, the longest-surviving member of the trio, the first-ever recreation of Levy's exhibition opens at the Fondation Henri Cartier-Bresson in Paris...

Author: /time Magazine | Title: Capturing Genius | 9/6/2004 | See Source »

...sunlight brushing her shoulder as if singling her out. And Alvarez Bravo even managed to instill life into still life: in Laughing Mannequins, glamorous cardboard women appear smiling, while it's the real people in the image that lack life. The same is true in Cartier-Bresson's Barrio Chino, in which a smiling face chalked on the wall eclipses a spent man below. Before he died, Cartier-Bresson had a final look at his images for the exhibit, taking in his surrealism-influenced shots of Mexico and unselfconscious images of Europe, such as the ambiguous mutual grooming outside...

Author: /time Magazine | Title: Capturing Genius | 9/6/2004 | See Source »

...Cartier-Bresson's Legacy...

Author: /time Magazine | Title: Letters: Sep. 6, 2004 | 9/6/2004 | See Source »

Thanks to James Nachtwey for his Appreciation of fellow photographer Henri Cartier-Bresson [Aug. 16]. Nachtwey's descriptions of Cartier-Bresson's artful shots made me aware of all the details that a single photo, like the one of Spanish children playing on a street, can encompass. About a year ago, I started looking at photographs late at night before going to sleep because I wanted to learn about photography and absorb the information that can be uniquely documented in a picture. This way of learning by contemplating photographs, just as Nachtwey did with Cartier-Bresson's pictures, continues. PETRA...

Author: /time Magazine | Title: Letters: Sep. 6, 2004 | 9/6/2004 | See Source »

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