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...year later, Gauguin took off for Paris with one child, leaving his wife and the other children behind. "When my sabots echo on the granite," he said, "I hear the sound, dull and strong, that I'm looking for in painting." Thanks to the generous mistress of a Breton pension, Gauguin painted in peace on a full belly. Restlessly driven back to Paris and semi-starvation, the man who had once speculated so brilliantly on the stock exchange was now looking for common stock in El Dorado...

Author: /time Magazine | Title: Books: Saga of a Stockbroker | 1/31/1955 | See Source »

...Martians were, anything but standardized. One who stopped M. Roger Barrault near the town of Lavoux had brilliant eyes, an enormous mustache, wore rubbers and spoke Latin. Another asked M. Pierre Lucas, a Breton baker, for a light. He was bearded and had a single eye in the middle of his forehead. M. Lucas could not remember what language he spoke...

Author: /time Magazine | Title: Science: Martians over France | 10/25/1954 | See Source »

Thus the high priest of surrealism, French Poet Andre Breton, once tried to describe the atmosphere of some of the strangest paintings ever created. Last week the Wadsworth Atheneum in Hart ford, Conn, was staging a retrospective show of paintings by Yves Tanguy and his wife, Kay Sage...

Author: /time Magazine | Title: Seance in Connecticut | 8/30/1954 | See Source »

...like a medium?more like a country gentleman. Born in Paris at the turn of the century, Tanguy came to the U.S. in 1939, married New York-born Painter Sage, became an American citizen. Their solidly luxurious country house in Woodbury, Conn, is completely unlike the artistic "house"' of Breton's poem. There are a stone terrace built by Tanguy (a do-ityourself fan), a pond with decoy ducks, and a rowboat for "harvesting the bull-rushes." Artist Tanguy works in a made-over barn. As he describes it, he simply stands before his easel and begins to paint?without...

Author: /time Magazine | Title: Seance in Connecticut | 8/30/1954 | See Source »

...spent his evenings at the Café Certá talking with Breton, Arp. De Chirico and Léger and making composite drawings that they called "exquisite corpses." This was actually an old parlor game. One artist would draw a head, fold the paper and pass it on to the next man, who would draw the body without seeing what had already been done. "We used to fabricate all sorts of monsters." says...

Author: /time Magazine | Title: Art: The Good Old Dada Days | 6/28/1954 | See Source »

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