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...more practical. The French waste their energy on fighting the language, thus losing many battles before they have even started. Robin Scott Lyons, France The best defense of French is not "a strong offense" but a more ethical way of dealing with its own minority languages, such as Breton, a Celtic language akin to Welsh that is desperately struggling for survival. France persistently refuses to ratify the European Charter for Regional or Minority Languages, thus combating at home a cultural diversity that it eloquently advocates for the rest of the world. How hypocritical! Marcel Texier Maurepas, France

Author: /time Magazine | Title: Letters | 11/25/2004 | See Source »

...biennale unfolds across Sydney, mute and minimalist, it is refreshing to remember that artists once weren't so scared of making a noise. "The simplest Surrealist act consists in going down into the street, revolvers in one's hands, and firing at random, wilfully, into the crowd," Andr? Breton, who founded the movement in Paris, famously declared...

Author: /time Magazine | Title: Another Kind of Dreaming | 6/22/2004 | See Source »

...treatise, "On Reason and Emotion," need go no further than the S. H. Ervin Gallery on Observatory Hill, where "Australian Surrealism: The Agapitos/Wilson Collection" opens this week. "In Surrealism the fire of art and the ice of science have met," said Australian Surrealist James Gleeson in 1940. Gleeson matched Breton for evangelical fervor, and his gobsmacking canvases lay the foundations for this exhibition, which later travels to Brisbane, Armidale and Hobart...

Author: /time Magazine | Title: Another Kind of Dreaming | 6/22/2004 | See Source »

...revelation of the show, curated by Bruce James, is that artists like Gleeson, James Cant and Robert Klippel cut to the heart of European Surrealism, rubbing shoulders with Breton and Joan Mir? in Paris, and exhibiting with Roland Penrose and Man Ray in London. "Surrealism was not nationalistic, it was an international movement," says James. "In fact it was rampantly global in its ambitions. The term revolution was entirely justified because these artists really wanted to change the world." A decade since the National Gallery of Australia's "Surrealism: Revolution by Night" reunited the Antipodeans with their contemporaries overseas...

Author: /time Magazine | Title: Another Kind of Dreaming | 6/22/2004 | See Source »

Nothing on corporate balance sheets so symbolizes the excesses of the 1990s as the towering debt left behind by fallen CEOs who couldn't control their acquisitive urges. Accordingly, their successors are deleveraging. The prize for the biggest reduction goes to Thierry Breton, a sometime science-fiction novelist who moved from Thomson to take over France Telecom in September 2002. He is paring the France Telecom work force by about 22,000, or 15%, mainly through attrition, and he has linked the pay of thousands of managers to tough performance targets. Debt tumbled from $66.7 billion to $51 billion...

Author: /time Magazine | Title: Eurobosses: Spring Cleaning | 5/17/2004 | See Source »

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