Search Details

Word: breuer (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Casualness & Ceremony. Johnson, a wiry, intense man with enough money to do as he pleased, was now a name in architecture, but he longed to be an architect himself. In 1940 he went back to Harvard, whose Graduate School of Design boasted not only Gropius but also Marcel Breuer. Finally, after a stint in the Army as private first class No. 31-303-426 and three more years as "a self-employed designer," Johnson got his New York State license to practice. At 42, his career began in earnest...

Author: /time Magazine | Title: Art: Return to the Past | 9/5/1960 | See Source »

...battalion of 360 to survive, ended up for eight months in an Army hospital with his left arm nearly shot off by a German tank. At Harvard's Graduate School of Design, after the war, studying with Walter Gropius and Marcel Breuer, Lundy began as the wildman of the class: "Everything came out that had been bottled up during the war," he explains. "I gave it the works. I splashed emotion and color all over it. Well, they gave me a Pass, and I think they thought they were doing me a favor...

Author: /time Magazine | Title: Art: The Bold Roofs | 4/4/1960 | See Source »

...show selects five as master form givers-the late Frank Lloyd Wright, Walter Gropius, Mies van der Rohe, Le Corbusier, and Alvar Aalto. Of the second generation, eight are singled out as leaders: Architects Marcel Breuer, Wallace K. Harrison, Philip C. Johnson, Richard J. Neutra, Eero Saarinen, Edward D. Stone, Engineer R. Buckminster Fuller, and the firm of Skidmore, Owings & Merrill. Reviewing the past, assessing the present, and eying the future, the show leads to two major conclusions: 1) modern architecture has now clearly swept its early Beaux Arts enemies from the battlefield; 2) its architects, secure in their conquest...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

...early luminary of Walter Gropius' Bauhaus in Germany, which developed such formgivers as Mies van der Rohe, Marcel Breuer, Paul Klee, Wassily Kandinsky and Moholy-Nagy, Albers came to the U.S. when Hitler closed the Bauhaus, taught at Black Mountain College and later headed Yale's Department of Design. At 70, Albers has the granitic and yet sensitive face of a northern Dante; though recently retired, he still finds opportunities to teach. "To distribute spiritual possessions," he may say to one shy talent, "is to multiply them." To another, more flamboyant, he may murmur in passing, "Calm down...

Author: /time Magazine | Title: Art: Prints Without Ink | 2/16/1959 | See Source »

...back on Henry Moore, vintage 1938, turned out a reclining, Swiss-cheese female, carved out of rich travertine from Michelangelo's old quarry at Carrara (see color). For all its massive ten tons, it fails of monumentality, is less successful than the reinforced concrete canopy behind it that Breuer and Nervi designed as an afterthought...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

Previous | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | Next