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Latest and handsomest building is the just-completed Bijenkorf ("Beehive") department store, designed by Hungarian-born, Bauhaus-trained Architect Marcel Breuer (TIME, Oct. 22). Last week its artistic companion piece and focal point was set into place: a massive (36 tons, 80 ft. tall), free-standing sculpture, placed on the sidewalk, that reaches up nearly to the top of the five-story department store. It is the most ambitious and successful combination of modern sculpture and architecture yet attempted...

Author: /time Magazine | Title: Art: Successful Beehive | 6/3/1957 | See Source »

...Beehive's director, Dr. G. Van der Wai, an unabashed enthusiast for things made in the U.S.A., turned naturally to the U.S. for an architect. Breuer responded with a clear, simple idea: "Essentially a department store is a big, empty box built around a central circulation core, with the walls closed to provide ample storage." In a move away from glass, he sheathed the box in travertine, employing hexagonal forms to give the façade the overall pattern of a honeycomb, set in slit windows (Rotterdam shoppers like to check materials in the sunlight). Here and there...

Author: /time Magazine | Title: Art: Successful Beehive | 6/3/1957 | See Source »

...major problem Architect Breuer had to solve was wished on him by a few fluke misses by the Luftwaffe and the decision of the Rotterdam planning commission to incorporate the beneficiaries of those misses-two surviving buildings-into the pattern of the widened street, making it necessary to bring the building line forward at each street corner. To avoid an L-shaped building, Breuer hit on the idea of letting sculpture take care of the bulge...

Author: /time Magazine | Title: Art: Successful Beehive | 6/3/1957 | See Source »

...Sculptor Naum Gabo, a near neigh bor of Breuer's in Connecticut, the Bijenkorf commission was the dream of a lifetime. A constructivist (along with his brother, Antoine Pevsner) since the movement's pioneer days in Russia, Gabo still bases his work on the esthetics of mathematics, modern material, and machine motifs. His present work, which took more than a year to construct in steel and aluminum bronze, is as abstract as he has ever done. "I'm not a naturalist," he explains, "who works from a face, a landscape or an event. I have only...

Author: /time Magazine | Title: Art: Successful Beehive | 6/3/1957 | See Source »

...Architect's Furniture" [Feb. 18] you ask ''What is a chair?" From the illustrations, a chair is something to sit down in, way down. But a chair is also something to arise from. There is but one chair, the Breuer, that I could sit in without the embarrassment of having to be helped to leave. Of course I am a grandmother, not too ancient, and the reflexes aren't what they used to be, but I can still arise with dignity from all but the most modern chairs...

Author: /time Magazine | Title: Letters, Mar. 18, 1957 | 3/18/1957 | See Source »

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