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Total Won In Average Billy Casper . $107,715. .. .4. ...17. ...56,336 Jack Nicklaus . 87,953. . . .1. . . .13. . . . 6,765 Arnold Palmer 79,717. .. .2. .. .17. ... 4,689 Doug Sanders 70,996. . . .2. . . .23. . . . 3,036 Gay Brewer . . 68,015 .... 1 .... 20 .... 3,400 Phil Rcdgers . 65,112. . . .2. . . .23. . . . 2,830 Gene Littler . 61,653 .. .0. . . .20. ... 3,082 R.H. Sikes . . . 61,584. . . .1. . . .24. . . . 2,566 Frank Beard . 59,681. . . .1. . . .25. . . . 2,387 Al Geiberger...
...Today, considerably slimmed down and grown sharp, she is known as Maria Callas. Other Amateur Hour alumni and their years are Merril Miller, '36 (now the Metropolitan Opera's Robert Merrill), and a member of the Hoboken Four, Frank Sinatra, '35. Other graduates include Teresa Brewer, Pat Boone, Georgia Gibbs, Frank Fontaine, Bert Parks and the Met's Regina Resnik...
...G.O.P.'s latest cheer started with a chuckle. Last spring, St. Louis Brewer (Budweiser) August Busch Ir. happened to join the President's Club, bringing in family and friends to the tune of $10,000 in Democratic contributions. Several weeks later the Justice Department happened to drop a four-year-old antitrust suit against his Anheuser-Busch Corp. Then Busch, who also owns the Cardinals, happened to invite First-Ball Pitcher Hubert Humphrey to fly to the All-Star game in his company plane. In view of the airline strike, the Vice President hopped aboard - along with...
Breezy Patter. The originators of these and other crowd-manipulating gimmicks are Jerry Bresler and Lyn Duddy, the Rodgers and Hammerstein of nightclubs. Since they teamed up nine years ago, they have masterminded 40-odd acts for nightclub singers-Robert Goulet, Gordon and Sheila MacRae, Jane Morgan, Teresa Brewer, Connie Francis, Bobby Vinton-providing everything from songs and arrangements to lighting and makeup. No detail is overlooked. They scramble into the rafters to scrub the grime off the spotlights, hustle around a club blowing out the candles because "they detract attention from the stage." They wire the singer...
Bresler and Duddy, both in their early 40s, begin by psychoanalyzing a performer "to find what she stands for," then work as long as six months polishing her delivery. With Jane Morgan, they played up her sex appeal and styled her vocal treatments after Lillian Russell; with Teresa Brewer, they provided "lots of saloon songs arranged as if they were done 30 years ago." They teach their singers how and where to walk (glide, but never too close to the tables lest someone see sweat or telltale wrinkles), give them mildly risque parodies of such standards...