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...Victorian parlor was complete without its whatnot crammed with porcelain curios and bric-a-brac. Potters of that day found an endless market for glossy, sentimental figures of puppies, kittens, grazing sheep and cows (sometimes used as milk pitchers). Today the ceramic gimcrack is coming back, this time destined as much for museums as for the coffee table, and in a radically different form. The current crop of gewgaws is more likely to be an eight-foot alligator, a toothbrush, or a bathroom scale with a few human toes still left in place...

Author: /time Magazine | Title: Ceramics: Funky Figurines | 4/26/1968 | See Source »

...Fogg has several pieces I would like to see placed outside," Berg said yesterday, "but I realize that the Yard is fairly sacrosanct, and we must be careful we don't fill it up with bric-a-brac. I don't want to encourage controversy...

Author: By James R. Beniger, | Title: Yard Gets 'Upright Motive No. 8' | 10/4/1967 | See Source »

...shopping for bric-a-brac they developed techniques by which they now buy clothes for Truc, their most successful enterprise. They buy in small batches, from a dozen little stores in New York and California, and strictly according to their own tastes...

Author: NO WRITER ATTRIBUTED | Title: Blow-up Scene? AntonioniFilm? See It at the Brattle | 8/18/1967 | See Source »

...Missourians: embossed beer tankards, a Greek vase collection, a marble mountain nymph by a local artist (now in a university library and known to undergraduates as "the White Rock Girl"). Then, in 1945, Curator Horst W. Janson, aided by a committee, weeded out 125 paintings and 500 pieces of bric-a-brac, auctioned off the lot for $40,000. The money was used to purchase 28 paintings, sculptures, collages and tapestries by Picasso, Braque, Moore, Stuart Davis, Klee, William Baziotes and other French and American moderns. Janson's selections are today valued at more than...

Author: /time Magazine | Title: Collections: Taste on the Campus | 7/21/1967 | See Source »

...There an almost cathedral hush was induced by a full-scale retrospective display of the work of Sculptor Louise Nevelson. Awed spectators moved from darkened room to darkened room, observing Nevelson's monumental spotlighted pillars and walls built of orange crates, dowels, spindles and other bits of wooden bric-a-brac but sprayed either all black, all white or all gold. America-Dawn, a multi-totemed white creation, looms like a silent convocation of sentinels. Tropical Rain Forest hangs from the walls and ceiling of an entirely blackened corridor, inviting the visitor to stroll through the secret splendor...

Author: /time Magazine | Title: Sculpture: Mansions of Mystery | 3/31/1967 | See Source »

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