Word: brice
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Early in the fourth period, on second down and eight, Brice carried over the middle for one yard to set up a third and seven. Ryan was intercepted by reserve linebacker Richard Mau at the Yale 43 with...
...Elis, meanwhile, rely heavily on the one-two punch of Kevin Brice and Ted Macauley out of the backfield. Each runner has amassed more than 300 yards on the season, but only two other Yale ball-carriers have gained more than 35. This lack of depth could hurt if the teams are forced by the weather to stay on the ground extensively...
...take this with a grain of salt. Actually, they come as much from minimal abstraction as from botany. The first time Winters painted a microscopic object was in 1980, when, seeking to relieve the monotony of a field of abstract color, he had painted in homage to Brice Marden, he decided to put in a diagram of the crystalline structure of the pigment, the form of the mineral out of which the surface was made; paint describing itself. He knew about pigment minerals because he ground his own colors. From then on he gradually put together an archive of crystals...
...Dufy. At 44, Bartlett is almost the quintessential example of the New York 1970s artist who made it successfully into the much more worldly atmosphere of the 1980s. She is (rightly) seen as both serious and popular, no easy feat. That a colleague of such fiercely reductive artists as Brice Marden, Barry Le Va and Richard Serra, formed in the hot arguments and unheated lofts of a pre-yuppie SoHo, would emerge by the mid-'80s as a corporate muralist, decorating the Volvo headquarters in Goteborg, Sweden, and the dining room of the AT&T Building in Manhattan with...
...best new painting being done by American artists whose careers have come into full focus in the '80s puts itself at a remove from such matters. To start, there are Neil Jenney, 39, and Brice Marden, 46. Jenney's career is long for his age -- he started exhibiting sculpture in the mid-1960s before turning to painting -- and his work is dense with critical thought. The look of his current paintings, when first experienced, is puzzling: impacted "views" of nature that are not really views at all, but icons concentrated by cropping and framing...