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...Miss Laski's original script, Russians and Americans appear on the scene as mirror-images ("we come as comrades," says one commander, "we come as friends," says the other), but the Russians have been cut in the re-writing. The ensuing anti-American tone is heightened by Brice Weisman's snarling caricature of an American military man. But in general, Thomas Bissinger's production is as sophisticated as Miss Laski's political vision is banal...

Author: By Frederick H. Gardner, | Title: The Offshore Island | 5/16/1963 | See Source »

...Pauline, no folk singer, is the wife of Brice Marden, a graduate student at Yale...

Author: /time Magazine | Title: Letters: Dec. 7, 1962 | 12/7/1962 | See Source »

...company's second biggest stockholder) to swell his collection of marriage licenses to four. For his latest fling at matrimony, Billy chose a familiar partner: ex-Showgirl Joyce Mathews, 42. to whom he was previously married from 1956 to 1959. (His first two wives: the late Fanny Brice and Big Dipper Eleanor Holm.) For Joyce, even a nuptial doubleheader was no novelty, two of her four earlier flounces to the altar having been made with Milton Berle...

Author: /time Magazine | Title: People: Jan. 5, 1962 | 1/5/1962 | See Source »

...Brice studied at Manhattan's Art Students League and at the Chouinard Art Institute in Los Angeles. In 1942, he got a job with M-G-M designing sets and decorating them with synthetic "masterpieces." Metro was unculturedly demanding. "If you painted some predominantly blue Cezannes on Tuesday and they turned out all right," he recalls, "somebody would give you another order on Thursday for, say, a Rembrandt, only he'd say, 'Do it in'blue, like that other...

Author: /time Magazine | Title: Art: The Embrace | 2/17/1961 | See Source »

After a stint in the U.S. Army Air Corps, Brice settled down in earnest to his own painting. He was fascinated by Cezanne, by "the animal aspect of form in Courbet," by De Chirico, Gris, Braque and Picasso. But perhaps the most dominant influence was the rocks, hills and floral imagery of the place where he lived-Mulholland Drive, on the crest of the range that stands between the San Fernando Valley and the Los Angeles Basin...

Author: /time Magazine | Title: Art: The Embrace | 2/17/1961 | See Source »

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