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Between the worn-out trailers and the HUD homes on the St. Regis Mohawk reservation sits an incongruous stretch of newly built mansions. From his patrol car, Wesley Benedict, the tribal police chief, points out a red brick palazzo and a white gabled mansion. "Most of those are built with smuggling money," he says. Around the world, word has spread that if you want to come to the U.S., the easiest point of entry is this barren reservation that cuts across both sides of the New York-Canada border...

Author: /time Magazine | Title: People Smuggling Is A Good Business | 11/22/1999 | See Source »

Although his friends lament that rather than Mather House, Joe resides in the brick house tucked in the corner of the Yard, his superior dedication to PBHA has not gone unnoticed. Dean Judith Kidd, Assistant Dean for Public Service and Director of Phillips Brooks House marvels at Joe's ability to balance his love for actual service itself with an understanding of the larger picture...

Author: By Dafna V. Hochman, BLAH | Title: Exemplary Leadership | 11/19/1999 | See Source »

...Last week, as I walked towards Union Square, it was refreshing to see something other than snow-white gables atop pristine Harvard brick. I made my way past Union Square towards the outskirts of Somerville. Dead ahead I could see that the street I was walking on was about to end as it merged with a multi-leveled highway...

Author: By Ariel B. Osceola, | Title: Fifteen Minutes: Down in the Dump | 11/4/1999 | See Source »

...Then, suddenly, there it was--The Somerville Waste Management Transfer Station. Situated on a bit of an incline, the transfer station--a type of garbage sanitation drop off point for Cambridge--boasted a weathered brick facade and a high chain link fence. The fence was laced with plastic blinders that obscured the first three levels of the enclosed camp. Two breaks in the fence granted the green, white and maroon trucks access; the diesel tri-axles would lumber in with their daily deposits...

Author: By Ariel B. Osceola, | Title: Fifteen Minutes: Down in the Dump | 11/4/1999 | See Source »

...there is a rectangular central eating area that is flanked on both sides by more intimate commensal spaces. Rather than resolutely delineating spatial boundaries using flanks of columns as Quincy does, Mather separates the private side spaces from the main area with boundaries that are themselves dining spaces (alternating brick walls and tables), seamlessly moving from one dining space to another without the visual interruption of columns. On one side, this boundary separates the central area from the "real world" of Cambridge and the Charles, thus again seamlessly integrating town and gown as Quincy does...

Author: By Ankur N. Ghosh, | Title: Chew With Your Eyes Open: Crimson Arts Examines the Aesthetics of Harvard's Dining Halls | 10/29/1999 | See Source »

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