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...centuries-old mud brick shrine of Abu Feisal, more than a hundred men push into the tiny prayer room. Outside, the temperature is below freezing, but inside the air is thick and pungent with the heavy scent of perspiration. A small microphone is turned on, and a middle-aged man with a face creased with grief began chanting a mournful dirge. The penitents, sitting in rough circles, begin to pound their chests in a powerful rhythm amplified by a hundred chest cavities. Deep and as resonant as a heartbeat, the sound gradually changes tenor as thin cotton shirts split with...

Author: /time Magazine | Title: Affirming a Faith Bathed in Blood | 1/30/2007 | See Source »

Every school day at precisely 2:40 p.m., Diana Brooks turns to the window of her apartment in Chicago's Cabrini-Green housing project. She stares at the bleak concrete landscape between the red brick high-rises until she spots John, 12, Charles, 7, and Jermaine, 5, picking their way past the broken glass, rusty cars and trash. Only when the boys are safely inside the apartment can the 28-year-old mother relax...

Author: /time Magazine | Title: In Chicago: Raising Children in a Battle Zone | 1/26/2007 | See Source »

Simon spends several months a year in Los Angeles, a necessity for his film career, and the rest in Manhattan, which he calls home. The ten-room Los Angeles dwelling, of white brick and wood, houses an extensive collection of modern art (including works by Modigliani and Edward Hopper) and sits above three tiers of terraces, with the obligatory swimming pool on the bottom tier, although Simon does not swim. He is a passionate tennis player, yet the house has no tennis court. "First you wind up providing the balls, then the Cokes?there's no end to it," Simon...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

...ending in reconciliation. The focus is often on a dysfunctional family (there are no functional ones in indie movies) that strives to reconnect. Within this genre are a few subspecies: the family breakup film (The Squid and the Whale), the finding-your-family-at-school movie (Half Nelson, Brick), the gay drama (Mysterious Skin). Way too frequently, the family goes on a trip. Given the typical Sundance pace, which is leisurely to lethargic, these road movies rarely get in the passing lane...

Author: /time Magazine | Title: The Trouble With Sundance | 1/22/2007 | See Source »

...Inspector O's story is told in a series of vivid flashbacks, related to an Irish intelligence officer during a cat-and-mouse encounter in Prague. Their vignettes make a compelling side narrative to the main tale, but the best feature of the book is how it builds, brick by dirty gray brick, a portrait of North Korean society that feels far more real than any debriefing. Church's Pyongyang is caught in the familiar time warp of the North's long-soured revolution: it's a place of deserted roads, decaying buildings and rusting trains that creak...

Author: /time Magazine | Title: Pyongyang Confidential | 1/11/2007 | See Source »

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