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What's sadly ironic about this is that Gods and Monsters deals with the final days of James Whale. Whale was the director of Frankenstein and The Bride of Frankenstein, films that were immensely popular in their day and can now be found on film school syllabi. Moreover, as Gods and Monsters illustrates in a couple of touching scenes, they can still be enjoyed today: These were and are, above all else, movies...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: HIGH ART IN `MONSTERS' | 12/4/1998 | See Source »

...security guard gets murdered, the boys--led by Christian Slater, doing a nice, nasty turn spouting pop-psych Nietzscheanisms--get started on a cover-up. Guilt and panic soon lead to lethal wrangles, then to variously colorful comeuppances. Meantime, Cameron Diaz is sublimely screwy as the single-minded bride determined not to let anything--including the deadly mishaps that keep shrinking the wedding party--spoil her nuptials...

Author: /time Magazine | Title: Cinema: Fatal Flaws | 11/30/1998 | See Source »

...Bride of Chucky...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 11/6/1998 | See Source »

...Bride of Chucky, the latest movie starring the fatally adorable doll possessed by the soul of a serial killer, opened last weekend. The film was filled with gory and suspenseful moments, as every dark, quiet scene is violently and predictably disturbed by the axe-wielding doll's maniacal laughter and the horrified screams of his victims. But after prolonged exposure to this nonsense, Chucky's deathtraps became laughable and monotonous. Unfortunately, The Bride of Chucky is perfectly analogous with the new album release from Hovercraft, entitled Experiment Below. The record, relentlessly packed with strange noises and random samples, shows artistic...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

...limiting pattern, as the order of the songs on the album is as symmetrical and methodical as an assembly line. Ironically, the straight jacket of conventional patterns ultimately subverts the intrinsic randomness of Hovercraft's musical style. Experiment Below has a frighteningnumber of similarities with a horror film likeThe Bride of Chucky. Initially, the albumis innovative, promising and startling with itssudden climaxes and its metallic, synthesizedsound. Yet, Experiment Below loses itsshock value after the listener becomesdesensitized by the relentless repetition ofclimaxing patterns, as is the case with thesenseless gore in The Bride of Chucky.Music must be built on a foundation...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

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