Word: bridegroom
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Dates: during 1950-1959
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Whether Hindu, Moslem or follower of virtually any other religion, India's father of the bride teeters close to bankruptcy. A moneylender's dream, he is forced by custom to fork over a huge dowry for his daughter, start paying off every member of the bridegroom's family with lavish presents of cash and sweetmeats as soon as the engagement is announced. The ideal wedding must be a stunningly beautiful rite that lasts for days, with thousands of gaily colored electric-light bulbs adorning the house, an ornate marquee and a team of cooks to gorge scores...
...this uneasy situation, guests began arriving in Kobeyat for the wedding of a local maiden and her Syrian fiancé. The bridegroom's two brothers-a Maronite monk named Father Genadrios Mourani. 32, and Seminarian Jean Mourani. 23-arrived in nearby Tripoli with their cousin. Father Georges Mourani. 34. Hiring a taxi, the three Syrians set out in the rainswept dusk for Kobeyat, passing through a spectral countryside of deserted, barren hills. As they rounded a curve on the approach to the village, the night crackled with gunfire. Father Genadrios was killed in the first fusillade. The cabby stopped...
...Pont Show of the Month put What Every Woman Knows on the air last week, she gave new life to the dated charm of the J. M. Barrie play. As Maggie Wylie, the homely but wise and witty Scottish lass who is the real reason behind her bartered bridegroom's success, Ireland's Siobhan (pronounced Shi-vawn) McKenna, 35, was a trim, burr-voiced delight...
...Nizam keeps his billions because he is careful of his pennies. He decreed that the wedding was to be a simple family affair and did not illuminate the walls of his palace with the multicolored electric lights that are a feature even of middle class Indian weddings. The bridegroom, Nawab Mahmood Jung, who comes of an aristocratic Hyderabad family that ranks just below the Nizam, drove up to the palace in a 100-car motorcade, wearing a cloth-of-gold coat and a sun-sparkling necklace of diamonds and emeralds. His face was delicately veiled by strings of orange blossoms...
...Epithalamion, 4 A.M.," Sandy's poem, sings softly but firmly of the love of a bride and bridegroom, of dawn, joy, time, life, and the fear of death or the end of a moment. That's a large demand to make of any poem, but Sandy succeeds. A few metaphoric rough spots briefly mar the first three stanzas, but the last four rise evenly to a climax of considerable force, thanks to careful variations of rhythm combined with a consistent metaphor...