Word: brides
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Dates: during 1960-1969
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...evacuate the Common at night, the hippies have been given squatting rights in the Fens, a park behind the city's Museum of Fine Arts. Last week they held a typically unorthodox, nonlegal wedding presided over by a minister from the hippies' own Neo-American Church. The bride wore printed culottes and a necklace of appleseeds; the barefoot groom was in tattered Levi's and a Nehru jacket. After the ceremony, they danced to a throbbing rock band, then left for a protracted honeymoon on the Common...
...very magnitude of the Gaullist election victory made many Frenchmen apprehensive. "La mariee est trop belle (The bride is too beautiful)," mused one television commentator, meaning that so decisive a victory placed on the Gaullists an inescapable and unparalleled burden for France's future. "The Gaullist tank is more powerful than ever, but it no longer has any brakes," warned Temoignage Chretien (Christian Witness), a liberal Catholic weekly. "What a temptation for the driver to roll right over any opposition...
Unlike Hitchcock's films, Bride has no overriding buildup of tension leading to a climactic finish. Instead, Truffaut provides a whole series of suspenseful crescendos-and finds voluptuous revelations and eerie beauty in each one of them. Under his low-keyed, meticulous direction, all the murdered men give subtle performances that would do credit to Giraudoux. Out standing is Michel Bouquet, pathetic yet loathsome as a pawky, balding bachelor who cannot believe his good fortune when a mysterious beauty comes to his shabby room with a bottle of strange-tasting liqueur. Scarcely less memorable is Charles Denner, a painter...
...with Moreau herself that the director achieves his finest work. She has always had trouble juggling erotica and neurotica, and some of her latest films (Viva Maria, Sailor from Gibraltar) have made her seem to be slipping. With Bride she regains her stature as one of France's major actresses. As she approaches each deadly assignment, Moreau exhales a melancholy resignation that gives the scenes the inevitability of a tribal rite, at once primitive and sophisticated...
...Even Hitchcock could not stretch so many individual scenes to the limit-and still give them the tensile strength of drop-forged steel. Nor has he the almost Proustian ability to recapture the past in a skein of memories and desires. In its avoidance of a major theme, The Bride Wore Black opts for the minor genre of suspense; but within those bounds it is very nearly a masterpiece...