Word: brideshead
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...expanded March 5 issue, TLS carries the previously unpublished 12,500 words that Waugh intended as the opening to a Brideshead sequel. The book, begun in 1945, the same year that Brideshead appeared, was to have been a flashback to Charles Ryder's life before he went up to Oxford and met Sebastian Flyte. But the one chapter, titled "Ryder by Gas-Light," is all he wrote. Sissons believes that the author decided to abandon the project after discussions with Peters, the late founder of the agency and one of Waugh's close friends...
...school self. Ryder attends "Spierpoint" just after World War I; Waugh went to Lancing at the same time. Details and dialogue are loosely transplanted from the author's diaries. Like Waugh, young Ryder exhibits a monkish passion for drawing and illuminated texts. Unlike the grave, sentimental narrator of Brideshead, Charles the teen-ager can sound as curmudgeonly as his middle-aged maker: "I think the invention of movable type was a disaster, sir. It destroyed calligraphy." There is a dearth of incident, and most of the schoolboy repartee reads like a twit's guide to the jargon...
...Humanities Research Center at Austin, the main repository of Waugh's papers since 1967. U.T. Research Librarian Ellen Dunlap notes that the unbound folio of Schooldays bears the novelist's signature and the date Oct. 13, 1945. It is reasonable to assume that Waugh, flushed with Brideshead"s critical and popular success, decided to give a primed public more about Charles Ryder. Chapter 1 bears one piece of sad news: his mother was killed by German shellfire in the Balkans while on some unspecified patriotic mission. His father is already the cold fish of Brideshead. Says he, after...
That Charles Ryder's Schooldays fell out in time for the Brideshead renaissance is a coincidence wrapped in a contract inside an irony. The author's son Auberon acknowledges that the work is not worth "splashing around." Yet, he adds, "that's why we let the TLS have it." The journal then promotes this bottom-drawer curiosity as a "scoop," which is the title of Evelyn Waugh's classic satire on the press...
...National Association of Public Television Stations, is worried about the network's toughing out even the first cut. "No industry can lose 25% of its funds and continue to operate at the same level," he says. This means fewer funds to produce or import expensive programs like Brideshead Revisited, Life on Earth and the National Geographic special The Sharks-shows that have brought PBS fresh prestige, ec static reviews and record-breaking ratings. The pool of shows that will attract audiences (and potential subscribers) looks to be drying up just when PBS is be coming a habit for millions...