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Word: brigands (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Barry Morse, who is regarded as Canada's leading actor, gave a sparklingly burnished performance as Jack TannerDon Juan, and Rosemary Harris was his delightful pursuer and ensnarer. Kilty was fine in the double role of the brigand Mendoza and the Devil. His production constituted the high point of the Weslesley season, as it had two years previously...

Author: By Caldwell Titcomb, | Title: Local Drama Sparks Summer Season | 9/21/1959 | See Source »

...supporting cast is of varying quality, but no one in it is less than adequate. Jerome Kilty gives a good greasy performance in the double role of the pseudo-romantic brigand Mendoza and "that strange monster called a devil." If Mr. Kilty's Devil is put in the shade by the definitive performance of Charles Laughton, it still has excellences...

Author: By Julius Novick, | Title: Man and Superman | 7/23/1959 | See Source »

...plenipotentiaries of Russia and Japan. These talks led to 1) the Treaty of Portsmouth, N.H.; 2) restoration of balance of power; 3) the Nobel Peace Prize for T.R. T.R.'s thought about the Treaty of Portsmouth: "Sometime soon I shall have to spank some little international brigand, and then all the well-meaning idiots will turn and shriek that this is inconsistent with what I did at the peace conference, whereas...

Author: /time Magazine | Title: HEROES: The Turning Point | 3/3/1958 | See Source »

...supporting cast includes a number of actors who deserve commendation, notably Michael Lewis as the irascible Roebuck Ramsden and Sorrell Booke as the arch-brigand Mendoza (also the Devil in the Don Juan scene). Cavada Humphrey turned in an adequate performance as the misunderstood Violet Robinson, as did Robert Brustein and Thomas Hill as her husband and father-in-law respectively. I particularly enjoyed John Wynne-Evans as Straker, Tanner's Cockney chauffeur...

Author: By George H. Watson, | Title: Man and Superman | 7/18/1957 | See Source »

...handsome highwayman Laurence Olivier is in the exhausting position of having too many women after his heart and too many police after his head. But Olivier is not an invincibly haughty brigand. In one delightful scene a former lover deters him from a robbery with a school-teacher-type lecture. He switches from bravado to bashfulness with aplomb and later in numerous slapstick scenes, he cavorts about the set with admirable grace. In all, he demonstrates that he is an expert actor of convincing versatility, and also, that he cannot sing...

Author: By Byron R. Wien, | Title: The Beggar's Opera | 11/6/1953 | See Source »

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