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...Spanish, economy could not look brighter," bragged Spain's Generalissimo Francisco Franco in his annual New Year's message last week. "Many apparently great nations envy us." There was, he conceded, a crisis just at the moment, but that was merely the "natural" result of economic expansion and would soon be straightened...

Author: /time Magazine | Title: SPAIN: Dreams of Gold | 1/14/1957 | See Source »

...year), he found a $60-a-week job with Western Electric and began saving his money. Soon he concluded that this job didn't fit his talents either, quit it and tried to land a better-paying one-and failed. Then he had a much brighter idea. "Maybe I wasn't thinking straight," he told the cops, "but I made up my mind that I would rob a bank. I thought I'd manage to get about $2,500. That much would get me through one year of school...

Author: /time Magazine | Title: YOUTH: Bright Boy | 12/24/1956 | See Source »

Today the Oberoi chain sprawls over India, Kashmir and Pakistan, has 1,715 rooms, 4,500 employees, a yearly turnover of 355,000 guests. Profits (before taxes and depreciation) jumped to $1,250,000 last year from $950,000 in 1954. Oberoi believes that the future is even brighter. By 1960 the growing flood of tourists will require another 1,200 rooms in New Delhi alone. In the rest of India, hotel keepers will have to double the number of rooms...

Author: /time Magazine | Title: BUSINESS ABROAD: India's Host | 12/10/1956 | See Source »

...primitive art, as represented in the Rousseau-like motifs of Summertime or the expressive decoration of Incutus, are apparent, as well as the influence of early European religious art and the grace and poetry of Shahn's figures. In color too, there is a significant development towards a brighter, more sensitive palette. The transparent application of colors over opaque tones gives his work more luminosity...

Author: By Lowell J. Rubin, | Title: The Art of Ben Shahn | 12/6/1956 | See Source »

...Michelangelo's Sistine Chapel ceiling, was a unique illuminated color process worked out by LIFE Magazine. Color transparencies of the masterworks were blown up on strips of 40-in.-wide film to the exact dimensions of the originals, and framed by light boxes containing fluorescent tubes. The brighter-than-life effect was like listening to symphonic music on a hi-fi recording. It was an exciting, highlit visual experience...

Author: /time Magazine | Title: Art in Hi-Fi | 12/3/1956 | See Source »

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