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Word: brightness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

This is a clean, safe town. No one can just come round With ribbons and bright thread Or new books to be read. This is an established place. We have accepted patterns in lace, And ban itinerant vendors...

Author: /time Magazine | Title: People: Dec. 12, 1969 | 12/12/1969 | See Source »

...larger than life. It stands 7 ft. 5 in. in height, weighs a ton, and cost $26,400. Clementine, Baroness Spencer-Churchill, 84, handsomely turned out in fur coat and pale blue feather hat, stepped forward to unveil her famous husband's latest image. Blinking in the bright lights, she pulled the cord and then started visibly as the drapings fell, to reveal her husband in his famous "bulldog" stance, with foot, chin, belly and vision forward. Permanently threatening another step, Churchill's bronze expresses, in the sculptor's words, "an idea of impatience and hurry...

Author: /time Magazine | Title: People: Dec. 12, 1969 | 12/12/1969 | See Source »

...vaudevillian, Billy Bright (Dick Van Dyke), clicks in silent two-reelers and becomes a national figure. Producer-Director-Writer Carl Reiner gives Van Dyke almost enough of this plot line to hang himself by strutting and capering in the manner of Mack Sennett's mute screwballs. Such flickering shenanigans are the most comical part of The Comic, but they are also the most derivative. The film gains its validity and poignance when Billy Bright reaches a crossroads and veers to the wrong. Sound movies are bunk, he decides, and abruptly the humor fades to black...

Author: /time Magazine | Title: Cinema: Burned-Out Star | 12/12/1969 | See Source »

...sculptures included in the exhibition are overshadowed by hundreds of huge, bright paintings. Distracted by a vista of green paint across the room, you find yourself walking past even the best pieces of David Smith...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

...Kooning and Kline-figures of paint both suggested and dissolved by a network of strokes. But the viewer of the vast rooms of abstraction feels the constant stares of the paintings reaching beyond their frames, asking the thought of the mind to comprehend their nature. Standing before the particularly bright ones, you begin to feel as though you are the subject matter and whatever occurs in your mind must complete the action of the painting...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

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