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Anouilh, best known in the U.S. for Becket and The Lark, likes to divide his plays into categories, calling some "black," like Antigone, some "rose," like Time Remembered, others "brillant" (sparklingly theatrical mixtures of the light and dark), like The Rehearsal, and still others "grating"-Waltz of the Toreadors. But everything Anouilh does springs from a pervading and indivisible pessimism. He is a cynic uncongealed: the wound remains open. Abandoned ideals and buoyancies can be seen within. And when he turns on the times, his bite is bitter: "Give us a bit more comfort! That's our battle...

Author: /time Magazine | Title: Playwrights: Cynicism Uncongealed | 12/13/1963 | See Source »

...satisfactory: in essays collectively called "Relevance of the American Past," Kazin is on his own, his native grounds--and, although he has had the hutzpa to reprint the preface from the Riverside paper-back edition of Moby Dick (the edition with all those foolish notes), he has good, sometimes brillant things to say about Thoreau, Stephen Crane and John Jay Chapman, among others. In a later section of the book, he gets into his real meat, the turn-of-the-century naturalists and the generation of the '20's and '30's. Here he is at his best, soundly rebutting...

Author: By Michael W. Schwartz, | Title: Kazin's 'Contemporaries' | 7/12/1962 | See Source »

...Osborne's greatest distinction is his ability to write long, furious, bitterly hilarious monologues, using common speech in a new and corrosively expressive manner. In Nigel Kneale's screenplay, with "additional dialogue" by Mr. Osborne, the brillant, obscene rhapsodies that lit up the play have been ruthlessly cropped, in an attempt to meet the demands of what is always said to be a "visual medium," and nothing can compensate for this loss...

Author: By Julius Novick, | Title: Look Back in Anger | 9/30/1959 | See Source »

...Harvard Stadium to stage its most magnificient spectacle, Agamemnon by Aeschylus. Under a light drizzle, a large audience gathered at the far end of the horseshoe to watch the Greek tragedy produced as it originally was. The setting was complete with horses and chariots, nothing less than a "brillant pageant, typical of the heroic days of ancient Greece," as the Herald enthusiastically said...

Author: By Lewis M. Steel, | Title: Greek Tragedy Returns to the Harvard Stage | 4/17/1956 | See Source »

Capriccio Brillant (by George Balanchine; music by Mendelssohn) is an elegant bit of fluff designed mainly for Balanchine's top dancers, Maria Tallchief and André Eglevsky, who present a brisk, polished "improvisation" on the music...

Author: /time Magazine | Title: Music: Three-Week Fling | 6/25/1951 | See Source »

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