Word: brilliante
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Dates: during 1970-1979
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...some ways, those who take a hard-line on Humphrey's career are persuasive. His position on Vietnam was no small blot on an otherwise brilliant record--to the contrary, attitudes on the war must be considered central in the assessment of anyone who held high office during those years. Humphrey may not have been an architect of the war policy but in playing the role of supporter he implicated himself in some of its ugliest facets: fudging reports of fact-finding trips, referring to "our finest hour," condoning the clubbings in the streets of Chicago...
...weird but persistent paradox: some brilliant movies are sheer torture to sit through. Such is the case with Padre Padrone, the Italian television film that last spring became the first movie ever to win both the grand prize and the international critics' prize at the Cannes Festival. Padre Padrone has undeniable merits; it tells a fascinating true-life story in an innovative style. Yet somehow it never makes us care passionately about its people or its subject. Though there is reason to believe that this film will influence other films, many moviegoers may forget Padre Padrone as soon...
...Altman with the visual scope of the great German directors--you either feel as if you could step into the great wide spaces on the screen and raise a family or immensely claustrophobic--this was the finest expression of cinema east of Paris since Eisenstien, and foreshadowed the cold brilliant world of the young Germans like Wim Wenders and Rainer Werner Fassbinder. At any rate, it's a good opportunity to be hugely entertained, support a film society that hasn't sold out and done Jaws in the Science Center, and learn a little about a neglected area of filmmaking...
...BAFFLING MOVIE, and not because it raises any interesting theological issues. It would be safe to say that the Almighty has never appeared in a very good film, although considering the talent involved in this one--direction by the intermittently brilliant Carl Reiner and a script by the dependably slick Larry Gelbart--Oh God! should have been an irreverent romp. What emerges is an overlong television sketch, a limp, unimaginative, and boring monument to middle-class tolerance; in short, a popular favorite that could set comedy back...
...until, in 1913, he stopped in Hollywood, intrigued with the infant film industry. At first he played bit parts in chaotic one-reelers, but within two years he became Hollywood's leading star. In his most productive period, before the advent of talkies in 1927, he turned out such brilliant films as The Gold Rush, The Kid and The Tramp. Soon he was the most recognized celebrity in the world...