Word: brilliants
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Dates: during 1940-1949
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...Money. Last week the 102nd paper signed up to buy Joseph and Stewart Alsop's column of erudite background, sound and sometimes brilliant opinion, and feedbox gossip. The editors got two pundits for the price of one: while Joe was realistically sizing up Dewey and Stassen in Oregon this month, Stewart was appraising the "twilight terror" in Czechoslovakia...
...great many years had a Broadway season got off to so brilliant a start: by Christmas close to ten new attractions adorned the Main Stem. But few other new ones adorned it thereafter; the hyphen in 1947-48 was more like a period. And Broadway this spring drooped as noticeably at the box office as it did on the stage. But 1947-48 ranks as one of the better seasons for all that, and nearly as much for the things it tried as for the times it triumphed...
...folksy bit of home-town news: "New York City was favored last night with a sunset that rivaled those of the tropics in its splendor . . . Pedestrians in midtown cross streets stopped to watch and remark to each other on its beauty. There were not only cloud strata tinted from brilliant orange to deep mauve, but there were streaks of vivid blue sky and a vertical path of vivid color that resembled the reddish-white color of an open-hearth steel furnace...
...monthly's biggest asset was an intangible: the talents of its 366 owner-contributors. But there had been no brilliant, tough editor to put those talents to work effectively. In the 16 months since '48 had started (as '47), it had bought too much bottom-drawer stuff, because it could not afford the prices other magazines paid for top-drawer pieces. The magazine had improved notably after Editor Richard E. Lauterbach, former LIFE staffer, took over seven months ago-but not enough to withstand the spring newsstand slump. It was running only a little above its advertising...
Alexander Pope, a brilliant, vindictive little hunchback who became the greatest satirical poet of his century (the 18th), usually had the last word, and usually it lasted. Vain and touchy, a brilliant, malicious destroyer of reputations, he was a critical menace to the dull and mediocre in life and literature. Also one of the ablest craftsmen of verse who ever lived, he packed more in a couplet than others could in a stanza. Unlike many modern poets, he wrote both lucidly and sharply; he intended to be understood by every intelligent reader. He died of dropsy at 56. These characteristic...