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This combination cantata, symphony, and opera splits into three long movements. There are a few dull passages, but most of its 120 minutes brim over with intense emotion. After an orchestral introduction, a choral recitative marks out the plot, and the first movement ends with what seems to be a rather static version of the famous balcony scene. The second movement has the familiar "Queen Maud Scherzo" and the final section describes the death of the lovers, and the reconciliation of the warring houses...

Author: By Lawrence R. Casier, | Title: Romeo and Juliet | 2/25/1953 | See Source »

...loosely draped in an old jacket, from the left pocket of which protrudes a notebook. The face under the hat takes daylight as though it and the light and air are friends. Hazel eyes, which now seem abstracted, can, in the closer proximity of a room, . pierce disconcertingly or brim with laughter or mischief like a child's. The nose is strong, the mouth full and sensual, the chin arrogant. The ears are large and seemingly tense with listening; they belong to a man who is a born eavesdropper of human speech, machinery or a dissolving sliver of birdsong...

Author: /time Magazine | Title: PERSONALITY: Education, Nov. 3, 1952 | 11/3/1952 | See Source »

...named Alexander Garza. Garza hit school the way the twister hit grandpa's barn. His appearance alone was enough to turn heads: he was a slim, tough-looking youth who sported a mustache, long sideburns and a goatee, wore blue jeans, a maroon jacket and a snap brim hat, and simultaneously smoked a cigar and chewed bubble...

Author: /time Magazine | Title: TEXAS: Teacher's Nightmare | 12/3/1951 | See Source »

...pretty funny nose and a hat on. I think this thesis could be justified still--whatever the animal (if, indeed, it is an animal) has on its head looks more like a hat than it does like horns. Not an ordinary hat, I grant you--it has a sweeping brim and a tall crown. The animal is probably from Texas...

Author: NO WRITER ATTRIBUTED | Title: No Bull This | 11/3/1951 | See Source »

Right from the start of the NBC Symphony's first transcontinental tour, the maestro had seemed different. Instead of the usual dignified and photographer-shy Toscanini peeping out from under a rolled-brim black fedora, newsreels showed the warm, shining face and cheery handwaves of a man who looked almost as if he were out after the corn-belt vote. There was no letdown in his musicmaking, as sell-out audiences found, everywhere he conducted his orchestra. But by last week many a spot in the U.S. was getting a treat that most New Yorkers never get: the warming...

Author: /time Magazine | Title: Music: Having a Wonderful Time | 5/22/1950 | See Source »

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