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...similar in size to Reader's Digest. But in other ways it resembles no journal of the Western world-with the possible exception of Benjamin Franklin's old brainchild, Poor Richard's Almanac. Devoid of ads, news, politics religion, sex, its 108 pages brim with simplistic sermonettes, warm remembrances and fervent hopes. Texts, which seldom run over 500 words, are sprinkled with bland heads ("One-Man Production" "Dynamics for Survival"), beguiling sketches and bylines of the famous and the unknown...

Author: /time Magazine | Title: The Press: Quotations from Chairman Matsushita | 10/12/1970 | See Source »

Although the works might appear to be flip, slick and sexy, they also brim with menace. When they are funny, which is often, it is with the precarious humor of Harold Lloyd teetering on the edge of a cliff, or Charlie Chaplin falling into a machine. The pictures visually crowd the spectator, jostle and shout at him. All the vernacular of commercialism-billboards, neon signs, girlie magazines, comic books-provides the imagery. By using such familiar props, the Pop artists are commenting on the new urban landscape of supermarkets and motel rooms, of roadsides and TV commercials, a civilization...

Author: /time Magazine | Title: Art: The Venerability of Pop | 10/10/1969 | See Source »

...speeds up to 170 m.p.h. At first they will be restricted to 110 m.p.h. Riding at that speed, the three-car trains can carry about 140 passengers in great comfort. They can round sharp curves at speeds 40% higher than existing equipment-and a coffee cup filled to the brim will not spill over. Separate power-dome units on either end of the train house the engines, cabins for the two-man crew and first-class observation seats. An engineer can run the train in either direction without turning it around. He simply walks from one power-dome...

Author: /time Magazine | Title: Business: LATE ARRIVAL OF THE FAST TRAINS | 1/3/1969 | See Source »

...former Marxist from New Jersey who has passed through all the radical ideological incarnations of the '30s. Lustgarten loses at everything, including the postwar European black market and the Laundromat business in Algeria. But as Bellow reveals in a balance of satire and compassion, Lustgarten's failures brim with life juices while Mosby's successes are empty and dry. "Having disposed of all things human," Bellow concludes, "he should have encountered God . . . But having so disposed, what God was there to encounter...

Author: /time Magazine | Title: Books: Care Package | 11/8/1968 | See Source »

...Cohrarie, became famous for his fiery musical duels with the master. With Jimmy Garrison on bass and Joe Farrell splitting three ways on tenor, soprano sax and flute, Jones here uses his flashy technique to inspire, shape and embroider a harmonically free, three-way dialogue. Reza and Jay-Ree brim with bright looping arches of sound reminiscent of Ornette Coleman. Soloing on Kei-Ko's Birthday March, Elvin gets under way with a humorous drum-corps pattern that soon turns into an exuberant display of staccato licks that would bring a real marching band to its knees...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

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