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...excels Le Carré in sense of place?particularly when the place is secret service headquarters. The sunless corridors, the peculiar amalgam of research, bureaucratic fatigue and hostility are brilliantly rendered. Power struggles become palpable: Smiley's conversations brim with silences and ambiguities; throwaway lines can hang a man, and one quiet meeting results in a British victory over some brash "cousins" in the CIA. Cruelty abounds, but so does guilt. Smiley believes implicitly in the need for clandestine agents, but he knows that his scholarly gains will soon be absorbed by his dreaded allies?the Americans...

Author: /time Magazine | Title: The Spy Who Came In for the Gold | 10/3/1977 | See Source »

...order for the chicken sandwiches that Hughes [always asked for when he] was going off on a plane. [Margulis] made up a packet, along with the mandatory bottle of Poland water, and helped Hughes descend from his hideout down the service elevator to the hotel garage. With his snap-brim hat and his leather jacket, the man who had broken the round-the-world flight record almost forty years earlier boarded an old Daimler limousine and went off to relive the joys of long-gone days...

Author: /time Magazine | Title: The Nation: Scenes from the Hidden Years | 12/13/1976 | See Source »

...kids-many nonprofessionals -are mostly terrific. Some of the best moments in the movie come with their smallest gestures: Bugsy snapping the brim of his fedora; Tallulah cosying up to a customer, taking off his glasses and starting to tease him as the flustered fellow gropes desperately for his tortoise shells; Dandy Dan deflecting a compliment from his gang with an uncharacteristic- thus unconvincing- show of humility and a disingenuous demurrer. "Too kind, guys. Too kind...

Author: /time Magazine | Title: Cinema: Little Caesars in Never-Never Land | 9/6/1976 | See Source »

Image of Horror. The movie is vastly ambitious, but it is also jaunty and diverting. There is time for an affection ate send-up of Bertolucci: Giannini's en trance into a Neapolitan music hall, stupidly splendid with a cigarette holder and snap-brim hat, recalls The Conform ist. There are some good visual puns...

Author: /time Magazine | Title: Cinema: Charnel Knowledge | 1/26/1976 | See Source »

...musical-A Chorus Line notwithstanding. That is what makes this cabaret selection of Leonard Bernstein's theater songs - or rather those tossed out of such shows as Candide, On the Town, Wonderful Town and West Side Story - a bittersweet delight. Less than topnotch though they are, the songs brim with confidence and fun. So does the patter, which harks back to the days when sophistication meant wryness and a wise crack was communication. The cast communicates by singing and dancing, and at least two of them - Patricia Elliott and Janie Sell - should immediately have their snap and crackle popped...

Author: /time Magazine | Title: Theater: Lesser Lenny | 12/15/1975 | See Source »

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