Word: bring
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Dates: during 1990-1999
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...Fans of what one may call "progression" music--that is, albums whose songs seem to flow together like one long story--will enjoy Bring it On. Like the Dead or Floyd, the album flows seamlessly, and like a Marley or Hendrix, the music brings the listener into their frame of mind. Perhaps this is the most striking ability of Gomez--its music can't help but take the listener along with it. Just don't expect to hear them on the radio--radio doesn't cater to their type of music--you won't want to put Gomez...
...addition to the Bring It On tracks presented last night, Gomez introduced many of their new songs. Their style appears similar to that of the first album--completely impossible to describe. The one difference may be that someone is finally listening. When Gomez played T.T. the Bear's last November, only 50 fortunate fans attended their Boston premiere. According to Ottewell, in the interim, the band has come into its own, "We've come back and there's people come to see us in our own right." Chances are, next time Gomez plays Boston, the closest...
...show, the audience was reluctant to let the band go. Their exit was accompanied by wild applause and screaming until they were wooed back onto stage. Both encore pieces were from Bring It On, concluding with the whimsical "Whippin' Piccadilly," a tribute to drug day ambling around their native...
...died at the age of 112, cutting short his retrospective narrative; however, Jack explains in the introduction to this book that he staged his death as a wily escape from a bad publishing contract. Initially, I was skeptical of this claim; it sounded like a suspiciously convenient excuse to bring out a sequel to the original, and very successful, first novel. However, Jack Crabb soon won me over with his humor and deft storytelling abilities...
...Gomez?" you're probably asking. Good question. With many answers. They are the latest British import, replete with echoes of music from blues and swamp to rock and alternative. They are the winners of Britain's prestigious Mercury Music Prize for "Album of the Year" for their debut, Bring It On. They are a group of young musicians desperately attempting to avoid real world jobs (take note, seniors). And, ultimately, they are five chill guys--Ian Ball, Paul Blackburn, Tom Gray, Ben Ottewell and Olly Peacock--trying to play the music they want to hear...