Word: bring
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Dates: during 1990-1999
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...DeLillo's previous the-atrical outing, The Day Room (also at the A.R.T. in 1986), has taken a few minor liberties from the published script which pay off well. Complementing Eigsti's set design, lighting designer John Ambrosone and sound designer Christopher Walker have made a special effort to bring the audience into the production: spotlights search faces and the roaring sound of wind disorients the audience. Simple passivity is difficult for the viewer...
...DeLillo's inexperience as a playwright shines through: as several reviews have evidenced, the play is too densely constructed for much of the audience to understand in a single viewing. DeLillo's brilliant use of words is wasted by the speed at which they are spoken. Repeated viewings, however, bring to light connective strands of the plot; the script is a sheer pleasure to read...
...romance between Wright and Costner fails at the same time every other relationship in the movie blossoms. Paul Newman shines as Costner's father. His eyes sparkle with mischief, and his wisecracks crackle like spitfire as he schemes to bring the reluctant pair together. At his age, even he has more star quality and charisma than his dull son. His scenes are a welcome relief from the awkwardness of the lovebirds. Costner and Penn are both able to display more emotion and authenticity in their affection for the sarcastic patriarch. In their separate scenes with Newman, both suddenly become more...
While the Bulldogs may arguably have the best player of the weekend, the Tigers bring more weapons to the rink. Senior forward Jeff Halpern who had 53 points last season and a very potent 27 this year anchors an attack with Scott Bertolli and the rugged Syl Apps, who each have 19 points this year...
...production of this massive a caliber, itis expected that all the leads will be powerfulsingers as well as actors, and Ragtime isno exception to this rule. Everyone with a solosings with enough heartfelt emotion to bring theentire audience to tears. The voices ofEichenberger and Cearcy, as Mother and Sarahrespectively, create the audio equivalent ofheartbreak itself--Eichenberger with painfullymeasured dignity, Cearcy with a flood of rawemotion. As Coalhouse Walker Jr., Hamiltondisplays an enormous range of talent both duringand between his solo numbers. He slips into eachmood--from languid happiness to pure joy to miseryto violent anger--with a realistic lucidity thatcements...